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Posts Tagged ‘The xx’

The American way can be described with any number of clichés, but Coachella has rapidly taken to heart one of the most obnoxious: bigger is better. Bigger artists; bigger stages; bigger crowds; bigger tolerance of alcohol, drugs, and generally seeing who looks the most fucked up; bigger vendors selling bigger fries with bigger amounts of curry mustard, sriracha, pickled onions, pork belly and other gastropub fetishes all over the festival. As the preeminent festival in North America and, Goldenvoice would argue, the world, Coachella should be applauded for taking the initiative in all aspects of its operations, but its seemingly relentless expansion has had its downsides. The addition of a new stage this year in the Sonora provided a blessedly air conditioned arena for a series of up-and-coming punk, garage and indie bands, as well as old fogies Guided by Voices and T.S.O.L., and the re-orientation of the various stages improved sound bleed problems and helped with traffic low.

But it also extended travel times around the festival by significantly expanding the size of the size of the grounds (by 41 acres) as well as creating some impossible to navigate blockages for certain anticipated acts. With the festival at capacity with 125,000 fans attending Weekend 1 (an increase of 25,000 by most estimates) and only so much room and personnel to go around, it’s perhaps inevitable that Coachella may not always get to have it both ways. Then again, Goldenvoice likely doesn’t care too much: gross…

Shakira’s decision to cover the xx’s ‘Islands’ (originally retitled ‘Explore,’ now re-retitled ‘Islands’ again) isn’t exactly a huge shock, having been signposted in the summer with strategically leaked samples and a televised live cover at Glastonbury.

It is rather good, however.

Shakira’s cover is faster and less intimate than the original, laying a thumping club beat below the tropical guitar riff, but it does somehow manage to work.

Manchester, Tennessee is one of the most unlikely places for a major music festival. It could hardly be called a suburb of Nashville, more than sixty miles outside the city, and has very little to offer to a huge influx of people. Most of all, the town of Manchester is a conservative place (drive around reading the church signs for proof), and hardly seems to accommodate the most liberal music festival in America that spends as much time promoting sustainability as it does music. Yet, the festival goes on, and Manchester seems to eat it up more and more each year.

The 80,000 that multiply the population of Manchester, Tennessee by eight for four days descended upon the isolated farm slowly on Thursday, as an inconvenient, inefficient will call line miles away from the festival, plus a reportedly day-long traffic jam caused massive delays. Through various means, I managed to get to the farm at about noon, four hours before any of the music began, and established my bearings in Centeroo, the area where the main attractions of the festival took place. The festival consists of five main music areas, broken into two stages (What Stage and Which Stage) and three tents (This Tent, That Tent, and The Other Tent), and assorted other stages such as the Troo Music Lounge, where lower-profile groups would play, and the Sonic Stage, where groups would perform short, stripped-down sets.

Fanfarlo kicked off my Bonnaroo at The Other Tent on Thursday. Their 2009 album,…

Today is the 13 year anniversary of The Notorious B.I.G.‘s landmark album, Life After Death. To celebrate, Sputnikmusic is offering an exclusive stream and download link for an album by producer wait what, who pairs Biggie verses with backing tracks from indie artist The xx. The album, the notorious xx, is surprise union where “the extrovert meets the introvert.” Biggie’s ambitious and fluent rhymes flow over The xx’s pensive and melodic instrumentals, creating a combination that is sublime.

wait what – the notorious xx [Download]

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