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Posts Tagged ‘SXSW’

Spring Break was supposed to be something like The Best Week Ever (not the show, just its literal title). I had a job working 6th street in Austin, Texas where the biggest music extravaganza would be taking over. Make bank, watch a few bands, mock crazy drunkards. Spring Break! 2010! Let’s go!

68 hours of work and one show later, I don’t have much but a decent check with overtime, lost sounds of music emanating from venues (to note: YACHT, Javelin, Califone, The Dillinger Escape Plan, Frightened Rabbit, Acid Mothers Temple) and the bizarre image of drugged out frat boys crawling across beams to the tunes of Maps and Atlases. This particular free show (lovingly dubbed South by South Mess) took place at the 21st St. Co-op, a place notorious for its outrageous (and partially nude) parties, and Friday’s event (leading up to the night’s headliner, Andrew W.K.) proved no different. If only I could explain the shape and architecture of this labyrinth, but upon late arrival (nearly 1 a.m.) I can only remember throngs of people spilling from the streets, from every door, spooling around corners into the backyard and up the stairs until eventually an impatient line broke forth into a jittery group of college students ready to rock out. And that they did, in mesmerizingly unique and gradually hostile ways: as the band (obscured by the freakishly tall gaggle of kids that positioned themselves directly in front) broke out into “Every Place is a House,” limbs flailed…

Of the major music festivals in the United States, tickets to Austin’s South by Southwest festival are by far the most expensive.  Still, in the “world capital of live music”, Austin brings in more groups than any festival in the country, likely in the world.  As your average citizen, I did not have the money for a SXSW wristband or badge, but during the time of SXSW, many unofficial, free shows take place all around the city.

In three days, I managed to see 26 different artists at countless different venues.  Instead of writing a full feature profiling every performance I saw, I decided to forego some of the tediousness of a 26-band review of my experience and simply give some highlights of the festival.

Minus the Bear:  Starting from the end, Minus the Bear were the very last group I saw, going on just before midnight on Saturday night at Mellow Johnny’s Bike Shop.  The show had two purposes—a promotion of Dangerbird Records artists and a benefit for the Pablove Foundation, a fundraising organization for children’s cancer research.  Clearly, everyone in the crowd that night had been waiting to see Minus the Bear, and the anticipation was high.  Audience members told Dangerbird Records CEO and founder of the Pablove Foundation Jeff Castelaz to “shut the fuck up” so Minus the Bear could play.  Castelaz made them feel like dicks after he explained how he founded the Pablove Foundation after his child, Pablo, died of cancer at age 6.

Minus…

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