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Posts Tagged ‘Olafur Arnalds’

Effective music videos are hard to find in 2013. There’s not really a uniform outlet in which music junkies can watch videos from their favorites, and financial issues in the music industry have led to a sharp decline of high-caliber music videos.

What this means, then, is that I freak out when something substantial comes along. Take Sigur Rós’ 2012 video for “Fjögur píanó,” and how the piece was simply saturated in eclecticism: the underwater car ride, the potentially electric popsicles and even Shia LeBeouf’s exposed penis all made us realize that a), director Alma Har’el had a disorienting message for us music-goers, or b), the specifics didn’t really matter. The latter makes more sense to me, although there are certainly poignant parts to the music video. Overall, though, what you got from the piece probably differed vastly from mine. I’m partial to my theories of the ‘ol acid trip gone amiss, but ultimately the video said much more to its audience than I can possibly know.

Dat emotion.

And ultimately, this is how I see fantastic music videos. The unconventional ones stick with me, the videos pushing the envelope towards what the song itself could only hint. Maybe it’s easier for directors to work with more ambiguous songs, then: more space means more flexibility. And “Old Skin,” serene as it is, really does leave room for the imagination. This is why I didn’t have specific expectations for the video, because it could probably focus on any…

For the alternative/indie world, 2010 has been a banner year of excellence. From The National’s grandiloquent High Violet to The Tallest Man on Earth’s one-man powerhouse The Wild Hunt, 2010 has produced defining albums from well-known acts to stunning debut albums from artists who promise so much more in the future. In the sweeping praise that so many albums have garnered this year, it goes without saying that some things got left behind, some things that, in less impressive years, may have risen to the top of the blogosphere. This blog will attempt to bring to light some of the lesser-known highlights of 2010.

Daniel Bjarnason – Processions [Symphonic/Classical]

We begin in February with Daníel Bjarnason’s Processions, an album that I have praised for months now–from posting the opening movement “Sorrow conquers happiness” from his multi-tracked cello suite Bow to String to reviewing the album with high praise. Yet, I cannot give this album enough praise, standing in the same echelon of excellence as High Violet, The Wild Hunt, The Archandroid, and all of the other albums that we have heard over and over. The album dances between bombastic and aggressive to hauntingly minimal, as if Max Richter decided to borrow from Stravinsky instead of Glass. In addition to Bjarnason’s brilliant compositional skills, the performers on the album (including the Iceland Symphony Orchestra) are first-rate, an indication that Iceland’s music scene goes far beyond Sigur Rós and Björk, and it is not going away anytime soon. Posted here…

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