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Posts Tagged ‘dr. john’

The evergreen jazz merchant-cum-voodoo warrior Dr. John is probably the type of person who you could file neatly under ‘Seen It All’. It was perhaps a surprise, even with his long track record, that 2012’s Locked Down  LP was as free, easy and palatable as it came to be. Written, recorded and produced heavily in conjunction with Black Keys’ mainman Dan Auerbach, the album is one that sees the 72 year old doctor grab a new lease of life with both hands.

Tracks such as “Revolution” and the record’s eponymous effort show a certain fire; understandable for a New Orleans native who will have looked on in horror as his hometown was almost swept away. However, it’s “Ice Age” that stands out the most. A subtle sense of anger and exasperation pour out of the Dr’s mouth, taking aim at those who like “smoking crack and final blunts” and who “ain’t got a cent”; those who fiddle as Rome burns. Maybe it’s a missive against the parts of New Orleans that have been slow to recover. Perhaps it’s a rant against the wider world. It doesn’t matter, as such themes are very pertinent wherever you are. That’s the saddest thing of all, but if anyone can ease you into the gloom with a message and rhythm, then it’s this guy.

Before you read on, I’d like to qualify my definition of a musical, in relation to Tremé, to clear up any possible confusion. Tremé is a musical program in that it heavily features musical performances. These performances are, uh, performed, by the shows characters—its guest stars, its cameos, its extras…you get the point. But Tremé is not a musical in the same vein as Glee. There are no impromptu bursts of song, replete with back-up dancers and an invisible backing band. Tremé is a dramatic program.  It just happens to centre around the musical city of New Orleans. For the uninitiated, the tremé is a New Orleans neighbourhood known primarily for its musical heritage. Scroll to the bottom for some clips.

I'd do anything for her to look at me with such longing. Or at all.

Glee is a lot of fun. I like it, unironically, and I have no problems putting those words to print. But having just watched the tenth episode—and first season finale—of HBO and David Simon’s Tremé, I’ve got to put something else into print, something I’ve known pretty distinctly since I watched the first episode some weeks back—Tremé, not Glee, is the best musically oriented show on television. I’m sorry, Channing. It’s not personal.

No, what it is is (is!) the honest to blog truth.

Yes, Glee is a lot of fun. I think I’ve already said this. But that’s more or less all it is. That’s not…

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