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For all the hype surrounding Coachella 2011 – the six day sellout, the mounting confusion and problems regarding the festival’s new wristband ticket method, the fear of scalpers selling fake tickets and wristbands not shipping out in time, once the festival was under way it was still the same old Coachella. Friendly people slapping hands and exchanging “happy Coachellas!;” temperatures routinely soaring above 100; enough drugs to make Noriega and Kesey blush; and music. Music that was at times brilliant, enthralling, obtusely weird, fist pumping, merely okay and atypically shocking and everything in between, but still the lifeblood of the festival no matter who came . . . and there were a lot. From shirtless fraternity boys to forty-year-old scene veterans, from stoned, bleary-eyed hipsters to day-glo-adorned rave kids, Coachella stuck them all in a boiling polo field of a pot and, for one weekend at least, helped them appreciate everything and everyone else. Coachella may be becoming more of a place to be seen than appreciated nowadays (over the course of the festival I saw Katy Perry, Tara Reid, Paul McCartney and even David Hasselhoff, all almost exclusively in the VIP lounges enjoying the drinks rather than the music), but few festivals can match its uniting experience. And it remains unforgettable.

I didn’t know it at the time, but Friday was going to be the coolest day of the weekend – a “pleasant” 93 degrees, blinding sun interrupted by even the hint of clouds and ice water turned to…

This past Labor Day weekend brought magnificent weather to the New York City area, as Hurricane Earl bypassed the area completely, allowing the second edition of the Electric Zoo festival to thrive.  For a total of 24 hours split between Saturday and Sunday, Randall’s Island was New York City’s hottest club, and potentially a newfound earthquake hotspot.  Booming beats resonating from four precisely placed stages likely sent the rest of the island humming.

Festival goers dressed in green latex suits, deer costumes, and tiger body paint, among other bizarre outfits littered the grounds, provided a unique flavor of diversity.  While the average stereotype of dance music and the New York area would assume that it would be thousands of juicehead guidos with blowouts, it was hardly the case, in fact quite the opposite.  The mix of concert goers among the 25,000 plus each day was welcoming to all sorts of characters geared with pacifiers and surgical masks.

Starting off on Saturday, LA Riots brought early excitement, mixing Estelle’s “Freak” with distorted beats while catching onto the infectious “Pon de Floor” by Major Lazer in what proved to be a house filled weekend.  Forty minutes felt like five minutes during LA Riots set as climaxes and crescendos came at perfectly timed moments.  After a glorious start, I quickly made the rash and hasty decision of watching Boris (not to be confused with Japanese noise-rockers Boris) at the Main Stage, whose set was slightly disappointing and underwhelming.  Coupled with…

Over 80 artists and DJs. Five stages running the gamut from house to dubstep to trance and more. 185,000+ people attending and dancing until 2 a.m. over two days. More Ecstasy pills than the population of Los Angeles. Calling the annual L.A. Electric Daisy Carnival a mere “rave” is an insult to something that has to be considered one of the largest music events in the world, not to mention an intense kaleidoscope of sounds and visuals that require far more work and setup than your average festival show. Oh, and don’t forget the varied array of carnival rides, from your standard Ferris wheel and fun house to spinning tops and massive swings (best ridden sober). With such a breadth of artists and experiences to be sampled it’s practically impossible to catalogue every highlight of the weekend, and the fact that the Coliseum grounds where the event was held was nearly impossible to traverse effectively past sundown made it difficult to see everyone I wanted, but those I did rarely disappointed.

…and this was EARLY

Opening at 2 in the afternoon every day, the festival was already jam packed by the time I arrived (usually around 4-ish), and like Coachella before it, EDC’s popularity has skyrocketed over the past couple of years. The main stage (the Coliseum stadium including the floor) was half empty during the Friday headliner in 2009; this year they closed off floor access before sunset,…

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