He needs no introduction. But here’s the quick and dirty: Anthony Fantano, aka TheNeedleDrop, is one of the most prevalent music resources on the net. He has nearly a million YouTube followers. He’s been blogging for a decade, and vlogging for roughly eight years. Fantano has an impressive output, and uploads videos at a voracious pace. He’s a busy man. I reached out to him for a few words.
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Tristan: Kicking off with the burning question: did Sam Hyde ever get around to beating up your dad?
Anthony: Nah, he pussed out. Sam is a lotta bark, but not a lotta bite. He’s a big softy beyond his abrasive, disorienting outer shell. His odd behavior is more like a test to see who is truly with the shit. It’s like he’s testing you for a fight club that exists in his mind. It’s all as a means to weed out the normies who can’t take his bullshit, and entertain himself by attempting to take the piss out of any situation he finds himself in. It’s all harmless fun for him. However, I wouldn’t wanna be there to witness the moment Lena Dunham makes him feel like he’s in physical danger.
That being said, there are ideological views Sam holds that I vehemently disagree with, but I personally don’t see that as a reason to trash or silence his artistic endeavors. There have been much bigger scumbags to climb up…
Here’s a list of major new releases for the week of April 28, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
It’s been 7 years since Gorillaz dropped Plastic Beach and The Fall, and the demand for a new record from these guys probably couldn’t be any higher than it is at this point. With a handful of new tracks already released to varying levels of acclaim, the virtual quartet seems primed to cast all other mainstream releases under its shadow this week. With Humanz – an album that paints a fresh gleam on the group’s core sound – has them entering the chaotic and uncertain times of 2017 sounding both vibrant and purpose-driven. Time will tell if it lives up to the best Gorillaz albums, but no matter what it will be an interesting listen worthy of just about anyone’s time.
Listen to “Ascension” below:
– Full List of Releases: April 28, 2017 –
Aethere: Adrift
Genre: Death/Progressive Metal // Label: Tragic Hero
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All That Remains: Madness
Genre: Metalcore // Label: Razor & Tie
Jay Gambit is the driving force behind L.A.-based experimental noise/metal/everything project Crowhurst, and feverishly produces noise music as a solo artist. He has dozens of albums to his name, and has collaborated with the likes of Today is the Day, Tanner Garza, The Body, Oxbow, Black Leather Jesus, and countless others. Last year, I reviewed II, an album featuring members of Ævangelist and Caïna. The third album in that instalment features “guest appearances by King Dude, Tony Wakeford (Death In June, Sol Invictus), Tara Vanflower (Lycia), Justin Pearson (The Locust/Head Wound City) and Ethan Lee McCarthy (Primitive Man),” and is slated for next year.
I felt compelled to reach out to Jay for a few words, so I did, and here’s the result. We discussed a bit of the noise scene, his influences, mental health, and what we can expect from Crowhurst in the future, or in the past when combing through his discography.
Chicago, 2016
Tristan: Artists you’ve collaborated/played with include Tanner Garza, The Body, Water Torture, Steve Austin, and plenty more. Any stories come to mind that you’d like to share? Humorous anecdotes? Heart-to-hearts?
Jay: I think everyone you’ve mentioned have all been super nice. Steve is a great dude and I think Tanner doesn’t get nearly as much credit as he deserves. He’s one of the better underground ambient artists of the past decade.
Tanner Garza’s “Give Up the Ghost” with Vomir got a bit of a burst in popularity on…
The last day of the weekend, as is tradition, came in searing hot with temperatures hovering around mid-90s. Fairly balmy as far as the desert goes (I seriously do not know how Weekend 2 does it), in fact, but for a Coachella with some of the best weather I’ve ever experienced – no wind storms! – this must have been penance. Those who shook off the accumulated dust, depleted serotonin and residual hangovers of 2+ days were rewarded with the finest lineup of the weekend, all surging to King Kendrick’s closing set that you could feel as a palpable anticipation over the grounds. The rapper’s coming out party had some serious competition beforehand, though, thank to two shockingly lovely sets on the Outdoor Stage from an old favorite from Ed Banger and a fish-out-of-water composer better known from the red carpet.
First, though, I made it a point to play through the pain and get to the festival earlier rather than later to catch the indoor set from under-appreciated Brooklyn indie band Caveman. The Fat Possum rockers remain firmly under the radar after last year’s War on Drugs-aping Otero War, but their live show showed a band ready to take the next step. The same goes for singer-songwriter Ezra Furman, whose rough-and-tumble set on the Outdoor Stage not only made dancing under the sun somewhat tolerable for a few minutes, but was also the only artist I saw all weekend who had the balls to call…
Here’s a list of major new releases for the week of April 21, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Woods: “Love Is Love”–
Genre: Indie-Folk/Psychedelic // Label: Woodsist
Background:
Woods have evolved quite a bit since they first formed twelve years ago, slowly turning their minimal indie-folk approach into more of an elaborate, psychedelic experience. With Love Is Love, the band continues trekking down that path with the added thematic twist of some post-election themes that the band has cited as their primary inspiration for creating the LP. Just one year after the release of City Sun Eater In The River Of Light, Woods figure to once again make a splash in indie, psychedelic, and folk circles as they continue to emerge as a prominent leader within their musical niche.
Listen to the title track below:
– Full List of Releases: April 21, 2017 –
Ancient Ascendant: Raise The Torch
Genre: Death/Black Metal // Label: Spinefarm/Candlelight
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Angaleena Presley: Wrangled
Genre: Country // Label: Mining Light Music
The best day of the festival almost turned out to be a disaster. Those aforementioned clear paths from the parking lots and sweet, smooth walks through a security staff with light hands did not extend to actually getting to the festival. Indio and Riverside County police turn the warren of gated communities and golf courses and miles-long blocks that surround the polo fields into a frustrating maze of blocked-off streets and unintuitive one-way turns that had me doubling back and retracing my drive more than once. And by the time I finally found a way to a parking lot, the line to get in was absurd and poorly directed. Note to Goldenvoice: please put a GPS address on your parking directions that actually works, and preferably more than one, so that I don’t have to miss all of Shura, Mitski, and Local Natives.
I did manage to see the tail end of Icelandic rock band Kaleo, a group that is appearing more and more to be the next Black Keys in terms of arena headlining potential. The group’s muscular delta blues rock is nigh indistinguishable from their American counterparts, and with a hit single that already went gold on the Billboard chart, likely only to get more and more omnipresent. A lot of the credit should go to frontman JJ Julius Son, whose deep vocals complemented the band’s deft, rootsy work with a showmanship that seems already a decade earned. Easy contender for band most…
The American way can be described with any number of clichés, but Coachella has rapidly taken to heart one of the most obnoxious: bigger is better. Bigger artists; bigger stages; bigger crowds; bigger tolerance of alcohol, drugs, and generally seeing who looks the most fucked up; bigger vendors selling bigger fries with bigger amounts of curry mustard, sriracha, pickled onions, pork belly and other gastropub fetishes all over the festival. As the preeminent festival in North America and, Goldenvoice would argue, the world, Coachella should be applauded for taking the initiative in all aspects of its operations, but its seemingly relentless expansion has had its downsides. The addition of a new stage this year in the Sonora provided a blessedly air conditioned arena for a series of up-and-coming punk, garage and indie bands, as well as old fogies Guided by Voices and T.S.O.L., and the re-orientation of the various stages improved sound bleed problems and helped with traffic low.
But it also extended travel times around the festival by significantly expanding the size of the size of the grounds (by 41 acres) as well as creating some impossible to navigate blockages for certain anticipated acts. With the festival at capacity with 125,000 fans attending Weekend 1 (an increase of 25,000 by most estimates) and only so much room and personnel to go around, it’s perhaps inevitable that Coachella may not always get to have it both ways. Then again, Goldenvoice likely doesn’t care too much: gross…
Here’s a list of major new releases for the week of April 14, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
DAMN. marks Lamar’s first extended release since last year’s collection of demos (untitled unmastered), and his first formal album since 2015’s To Pimp a Butterfly. Unlike past releases that have featured a host of impressive guest musicians, DAMN. has only three announced guest stars: U2, Rihanna, and Zacari – setting this record up to perhaps be his most straightforward, down-to-earth unveiling. For an artist of Kendrick’s stature, DAMN. makes for an automatically required listen. Garnering critical acclaim throughout his career, particularly with good kid, m.A.A.d city and To Pimp a Butterfly, Lamar figures to keep a firm grasp on his reign atop hip-hop/rap with this latest record.
I missed the boat on the staff-wide feature thanks in part to a hectic work week, a desire not to cut-paste from my track reviews, and general laziness. In retrospect, that turned out pretty awesome (thanks in a large part to Jom’s orchestration of the feature) so I’ll have to do better and contribute to the Q2 playlist. But for now, I’d just like to get my favorite 10 songs from Jan.-Mar. 2017 out there for your consumption. I’d consider them all to be essential listens if you stay current week-to-week, especially in the indie-rock / indie-folk scene. I tend to be long-winded with everything I do, so below each track/artwork I’ve included 3 simple notions that represent feelings, memories, or lyrics I associate with experiencing that particular piece. Anyway, without further ado, here are my top 10 tracks of the year’s first quarter.
#10 – Teen Daze: “Cycle”
Genre: Indie-Folk | Listen if you like: Immersing your senses in nature
Melting snow
Leaves blowing in a spring breeze
“You are the only one that speaks into me”
#9 – SUSTO: “Far Out Feeling”
Genre: Indie/Americana | Listen if you like: Unexpected string sections
Here’s a list of major new releases for the week of April 7, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Father John Misty: “Pure Comedy”–
Genre: Indie-Folk/Americana // Label: Sub Pop Records
Background:
Few artists have enjoyed as much hype and general chatter surrounding a new release as Father John Misty in 2017. On the heels of 2015’s hit album I Love You, Honeybear, this week we will observe an even darker and more theatrical side of Josh Tillman. Embracing the piano and his penchant for sarcasm-riddled balladry, Pure Comedy offers a very different, often bitter view on mankind. Certain to be divisive (seeming the only way he knows), we’re not sure quite what to expect from this 74-minute behemoth of an album. All we know is that it is going to be talked about. A lot.
With all of our March Madness brackets sufficiently busted (and my Red Wings slowly morphing back to the Dead Wings as their 25-year playoff streak’s been snapped and they pivot to the Little Caesars Pizza Pizzarena next season), we look forward to one of the best days of the year:
Rather than building a diamond in corn fields, though, we’ve constructed our first quarterly mixtape of the year. At 28 songs deep this time out, it’s also the first opportunity for some of the new staffers (and long-lost friends) from our crew to flex their blurb-writing muscles on the blog this year.
In cases where a track isn’t on Spotify, we’ve included either an embedded YouTube clip or a link to the artist’s Bandcamp and/or Soundcloud.
We hope you enjoy. Next edition will be in Q2. See you then and enjoy April-June!
Carly Rae Jepsen & Lil Yachty – “It Takes Two” (prod. Mike-WiLL Made-It) Single Listen if you like: pop music, artistic seven-car pileups (in a good way), capitalism, anti-capitalism (?)
“It Takes Two” is effectively the musical equivalent to an unfortunately-patterned sweater: gaudy, incomprehensible, sold for $29.99 at your local Target (there’s the Target reference quotient for this blurb filled!), and only worn well by people whose aesthetic sensibilities fall so firmly outside traditional fashion standards that it turns out to look pretty fuckin’ great on them. Nothing about this song should work, until you recognize that the one common thread binding…
In 2013, Sufjan Stevens joined up with Nico Muhly, James McAlister, and The National’s Bryce Dressner to create a composition thematically centered around our solar system (I guess he is too big for states now). To date only performed in a live setting (the piece was debuted at Brooklyn Academy of Music over a multi-night span), it is finally being released as an official recording on June 9 via 4AD. It’s pretty much the most hipster thing ever. But before we get to that, the quartet has unveiled “Saturn”, the fourteenth out of seventeen songs on the track list and the album’s lead single.
Those who enjoyed Stevens’ bizarre but oddly affirming Age of Adz will likely be beside themselves with excitement on this one. The vocals are electronically altered for the entire run time, as is the instrumental canvas. The whole thing feels very futuristic, bombastic, and oddly warm. Stevens may sound robotic and distant, but lines like “take this body / blood shed for you” and the repeated “tell me I’m evil” have a boomerang effect, sending you far off into the cold, dark depths of space only to circle back with…
Here’s a list of major new releases for the week of March 31, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Mastodon: “Emperor of Sand”–
Genre: Sludge/Progressive Metal // Label: Reprise Records
Background:
Sludge/progressive staples Mastodon are returning this Friday with their 7th LP, the follow-up to 2014’s Once More ‘Round The Sun. The record was again produced by Brendan O’Brien, whose work with the band dates back to their groundbreaking 2009 release Crack The Skye. According to drummer Brann Dailor, Emperor of Sand‘s themes revolve around one’s mortality — something that was inspired by them witnessing multiple family members and close friends undergo cancer diagnoses in recent years. You can hear the lead single, “Sultan’s Curse”, below:
Here’s a list of major new releases for the week of March 24, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
–Featured Release: Mount Eerie: “A Crow Looked at Me”–
Genre: Lo-Fi/Indie-Folk // Label: P.W. Elverum & Sun
Background:
Phil Elverum’s latest release is a heartbreaking tribute to his late wife, Geneviève Castrée, who died last summer from pancreatic cancer. Beginning with the lines “Death is real / Someone’s there and then they’re not/ And it’s not for singing about / It’s not for making into art”, A Crow Looked At Me sees Elverum grapple with the departure of his spouse and the life he once shared with her. Joining recent peers like Sufjan Stevens (Carrie & Lowell) and Nick Cave (Skeleton Tree), Mount Eerie’s 2017 LP is a marvel to behold, even as its creator writes from a place that none of us ever hope to venture to or endure.
– Full List of Releases: March 24, 2017 –
Art Of Anarchy: The Madness
Genre: Alt/Hard Rock // Label: Century Media Records
Here’s a list of major new releases for the week of March 17, 2017. Please feel free to request reviews for any of the following albums from staff or contributors. As our staff post reviews of these albums, links will appear below the art work so that you can read about the release, see how we scored it, and more.
Four years after Delta Machine, the fathers of electronic post-punk – Depeche Mode – have returned with their most politically charged record to date. It’s angry, bleak, and powerful. Most of all, it is aware of the times we live in and feels like a representation of this troubled era – at times even literally calling for revolution. The album drops tomorrow, but those who haven’t heard a glimpse of what Spirit has to offer should do themselves the favor of listening to “Where’s The Revolution” below:
