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This fall Cee-Lo will release The Lady Killer, his first solo album since 2004’s Cee-Lo Green…Is the Soul Machine.  Appropriately enough, “Fuck You” is the first single off The Lady Killer, a song that soulfully belts about a gold digging woman in such a graceful fashion.  Honestly, it proves how fickle curse words are and how beautiful they can sound.  If you hadn’t figured it out, this song has a few curse words, so be mindful of your surrounding before listening, even though I’m sure no one will care, but rather sing along.


Here’s a list of major new releases for the week of August 24 , 2010. Please feel free to request reviews for any of the following albums from staff or contributors.

Accept – Blood of the Nations {EU} (Nuclear Blast)
Adebisi Shank – This Is The Second Album Of A Band Called… (Richter Collective) – Dave de Sylvia
Apocalyptica – 7th Symphony (Jive/R.E.D.)
Chris August – No Far Away (Fervent Records)
James Blackshaw – All Is Falling (Young God Records)
S. Carey – All we Grow (Jagjaguwar) – Cam
Chk Chk Chk [!!!] – Strange Weather Isn’t It (Warp Records)
Coin Under Tongue – Reception (Death By Audio)
Dead Confederate – Sugar (Razor & Tie)
Eels – Tomorrrow Morning (E Works) – Adam Thomas
Fantasia – Back To Me (J-Records)
Jesse Harris – Through The Night (Secret Sun Recordings/Mercer Street)
Ion Dissonance – Cursed (Century Media)
Isobel Campbell & Mark Lanegan – Hawk (Vanguard Records)
JJ Grey – Georgia Warhorse (Alligator Records)
Kataklysm – Heaven’s Venom (Nuclear Blast America)
The Klaxons – Surfing the Void {UK} (Polydor)
Brad Laner – Natural Selections (HOMETAPES)
Land Of Talk – Cloak And Cipher (Saddle Creek)
Little Big Town – The Reason Why (Capitol)
The LoveCrave – Soul Saliva (Metropolis Records) – Trey Spencer
Malevolent Creation – Invidious Dominion (Nuclear Blast America)
Mestizo – Elecholo (Machina Muerte)
Mogwai – Special Moves [Live] (+1 Records)
Never Shout Never – Harmony (Sire/Wea)


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Charles Manson’s The Inner Sanctum is the saddest thing I’ve ever heard.

I don’t mean to say it’s the saddest thing I’ve ever heard because it’s awful, although it certainly is awful.  What I mean is, it is depressing to hear this old man plunk away on his guitar while muttering indecipherable lyrics, probably wearing the exact same outfit and the same exact expression as he is on the cover, which looks sort of like he is taking a shit, about to vomit, and trying to work out a complex algebra problem in his head all at once.

The Inner Sanctum is a 3-track EP.  The bookends, “Air” and “Just Love Someone,” are tuneless acoustic meanderings complete with Manson drawling away in a semi-bluesy tone.  The real gem is the second track, “Labor of the Mind,” which isn’t a song; it’s 3:15 of Manson talking.  About what?  I’m not sure, I wasn’t really paying attention.  He says something about how religions worship violence or something and that, within a religion, “improv becomes the devil,” which doesn’t seem to mean anything at all.  It all seems very blasé until you realize that this is the guy with a swastika carved into his forehead and then it just becomes very very ironic in a very very sad way.

I can’t help but feel a little bit depressed for Manson when I listen to Inner Sanctum.  I mean, this is a man who was described as the most compelling, charismatic, mesmerizing man…


In my last post on this blog, I spoke of my ‘long hiatus’ (it was all of two weeks). This time, I’ve upped the ante and have refrained from posting for a full 4 months. After some effort, the Norwegians have managed to drag me out of my self-imposed literary slumber. Celebrate by checking out Royksopp’s latest mashup: ‘This Space’

This Space by Röyksopp


Color me confuzzled. Someone, apparently a Milwaukee group named Photon Wave Orchestra took Justin Bieber’s “U Smile” pumped up the reverb and slowed the song down 800%. The result is probably the best ambient track you’re going to hear all year, although the slowed down drums can get kind of annoying after a few minutes. Joke or not, what the track proves is, at its finest, ambient music takes all of the simplicity that makes pop music so accessible and lays it bare before us. It’s what Hammock does, it’s what Sigur Ros does, and apparently, in the second level of Christopher Nolan’s dreamworld, it’s what Justin Bieber does as well.

J. BIEBZ – U SMILE 800% SLOWER by Shamantis


Below, comedians Mario Cantone, Sherri Shepherd and Jackie Hoffman read excerpts from Destiny’s Child 2002 autobiography, Soul Survivors.

No further explanation needed, really.


Here’s a list of major new releases for the week of August 17, 2010. Please feel free to request reviews for any of the following albums from staff or contributors.

Trace Adkins – Cowboy’s Back In Town (Show Dog-Universal Music)
American Hi-Fi – Fight The Frequency (RED GENERAL CATALOG)
Antagonist – World In Decline (PROSTHETIC RECORDS)
Camu Tao – King of Hearts (Definitive Jux/Fat Possum)
Dondria – Dondria Vs Phatfffat (Malaco Records)
Dora the Explorer – We Did It! Dora’s Greatest Hits (Nick Records)
Filter – The Trouble with Angels (Rocket Science)
David Gray – Foundling (Downtown)
Jesse Harris – Through The Night (Mercer Street Records)
Hellsent – False Profit (Galapagos4)
Hey Monday – Beneath It All (Columbia)
Iron Maiden – The Final Frontier (Sony Legacy) – Mike Stagno
Kem – Intimacy (Motown/PGD)
The Last Felony – Too Many Humans (LIFEFORCE RECORDS) – Trey Spencer
Lissie – Catching A Tiger (Fat Possum)
John Mellencamp – No Better Than This (Rounder/PGD)
Miss May I – Monument (Rise Records)
Nils – What The Funk? (Baja Records)
NoFX – The Longest EP (Fat Wreck Chords)
Orbs – Asleep Next to Science (Equal Vision Records)
Sadistik – The Art Of Dying (Clockwork Grey Music)
Slayer – Live Intrusion [DVD Reissue] (Columbia)
Someone Still Loves You Boris Yeltsin – Let It Sway (Polyvinyl) – Rudy Klapper
Esperanza Spalding – Chamber Music Society (Heads Up)
Taking Back Sunday –…


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This was released online a couple of weeks ago, but I totally had no idea Ra Ra Riot were even releasing a new album until last week. Since then The Orchard (which comes out 8/24) has been pretty much all I’ve been listening to. Can’t say I was a huge fan of their debut, which reeked of a bit too much Vampire Weekend, but their new album is far more stately, pushing the strings (and those gorgeous girls) to the front of the mix and generally slowing the pace down. Of course, “Boy” differs from most else on the album by being ridiculously bubbly, but it’s also infinitely catchy and is just the kind of summer tune I want right now.

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Yesterday on the blog, we previewed “High School Art Class,” the first track off Pretty Lights’ newest EP entitled, Spilling Over Every Side.  Today Derek Vincent Smith, the mastermind of Pretty Lights, talks about his touring, latest and future works, and the experience of playing a show with DJ Shadow.

Ryan Flatley: I just downloaded your second EP, which is fantastic by the way, and I just wanted to know if Spilling Over Every Side and your other two EPs are linked in any way or are they separate entities?

Derek Vincent Smith: Well really what I’m trying to do is try to make three separate bodies of music that can come together as a whole. And I suppose what would unify them as a whole is the fact that (it’s) the music I wanted to create in 2010, and it’s kind of where I’m at in 2010. I’m really trying to use each EP as a way to push each style I’m trying to explore at that time. The second EP is different than the first, and trying a different approach on the third. I suppose I want the trilogy to be a glimpse into the ever-change, morphing vision of myself.

RF: Do you plan on doing that on a consistent basis, as in 2011 release music sporadically?

DVS: No, I want to make it different all the time, this year I want to do the three EPs. Next year I already have planned to do something…


Derek Vincent Smith, known by his moniker Pretty Lights, has blown up on the electro/hip-hop scene during the past two years.  Supporting acts such as DJ Shadow in Dublin, Ireland along with playing nearly every major festival in the country for the past two years that it’s only a matter of time before Pretty Lights explodes once again.  Tomorrow, I will post a full interview with Derek, but first, a preview of what Pretty Lights are all about.  This track entitled “High School Art Class” is the first track off Spilling Over Every Side, the second of three EPs to be released this year, all of which can cost you as little as nothing to any amount that you would like to donate.

High School Art Class by Pretty Lights


On September 29, 2009, DJ Shadow announced the DJ Shadow Remix Project, an open opportunity for DJs and producers from around the world to remix some of the most legendary material in the trip-hop canon. Nine-and-a-half months later, the anticipated child was born, a release from Reconstruction Productions featuring 19 tracks of remixes stretching across Shadow’s discography. Endtroducing and The Private Press get the largest overhaul, including two remixes of the classic “Building Steam with a Grain of Salt.” Featured here is the Ruby My Dear remix that speeds up the song for a frenetic, rapidly changing remix that goes from Venetian Snares to The Flashbulb to Bonobo in the blink of an eye, all while keeping the main purpose in sight–demonstrating the wide influence that Shadow has had and still has for emerging producers around the world.

Building steam with a grain of salt by RubyMyDear

Check out the rest of the project here


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Not far removed from the middle of winter in the southern hemisphere, it was a cold and wet Melbourne that hosted Jared Leto & Co. at Festival Hall. Touring on the back of their disappointing 3rd album ‘This Is War’, this tour was for some reason titled ‘Into the Wild’. I’d research why, but the fact this blog has been written 2 weeks after the event should tell you how motivated I am at present.

The best seat in the house?

The venue is not exactly much loved around these parts since (ignoring its summer air-conditioning issue which leaves it feeling like a sauna) it is spatially challenged. Spreading sideways instead of back, even some of the best seats in the house (ignoring a limited capacity balcony section which is centrally located) leave attendees with too much of a side view feel. Thankfully, yours truly had one of those best seats for this particular concert since there was no way I was going to submit my ears to the screaming 13 year old girls on the venue’s floor section… The fact that the floor section was also unlicensed is irrelevant… Well, not really, but anyway…

The Art

Arriving as the support band was playing their first song; it was not a great surprise to see The Art receive a lukewarm response. Previously


Mustaine: A Heavy Metal Memoir

By: Dave Mustaine & Joe Layden
Released: August 3, 2010
Hardcover: 368 pages
Publisher: It Books

Mustaine: A Heavy Metal Memoir has something for even the most apathetic of Megadeth fans and is written in a very entertaining manner thanks to the dry humor and no-holds-barred attitude of Dave Mustaine.
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I’ve never considered myself a huge fan of Megadeth. Their earlier albums always seemed to be very inconsistent in terms of quality, and their mid-era commercial attempts were mostly terrible. There are exceptions of course, Rust in Peace is easily one of the best thrash albums of all time and Endgame is just about equal (and sometimes better, depending on my mood) – but this isn’t about me and isn’t really about Megadeth either. This is about Dave Mustaine; the man that has had the great fortune of being part of two of the biggest metal bands of the last thirty years. He’s also the man that everyone has loved to hate due to his tendency to speak his mind and treat fellow band mates as if they were totally expendable (in hindsight one could argue that they really have been). If anyone in the metal community has lived a life that is worthy of having a book written about him, it is Dave Mustaine. The man has dealt with drug use, the stigma of being dropped from Metallica, the total…


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Here’s a list of major new releases for the week of August 10, 2010. Please feel free to request reviews for any of the following albums from staff or contributors.

Amorphis – Forging the Land of Thousand Lakes [CD/DVD] (Nuclear Blast America)
Angelfire – Angelfire (THE RECORD LABEL)
Ayatollah – Live From the MPC 60 [3 CDs] (Green Streets Entertainment)
Black Label Society – Order Of The Black (E1 Music)
Sarah Blasko – As Day Follow Night (Universal Music Group)
Bottomless Pit – Blood Under The Bridge (Comedy Minus One)
The Budos Band – The Budos Band III (Daptone Records)
Kathryn Calder – Are You My Mother? (File Under: Music)
Common Grackle (Factor) – The Great Depression (Fake Four)
Charlie Daniels – Land That I Love (Koch Records)
George Duke – Deja Vu (Heads Up)
Exile – AM/PM (Plug Research)
Kataklysm - Heaven’s Venom {EU} (Nuclear Blast)
Killola – Let’s Get Associated (Killola)
Landing On The Moon – We Make History Now (Young Love Records)
Language Room – Language Room (Anti-)
Lights Out Asia – In the Days of Jupiter (n5MD)  – Adam Downer
Lost In The Trees – All Alone In An Empty House (Anti/Epitaph)
Madlib – High Jazz [2 LPs] (Madlib Invazion)
Moe Pope – Life After God (Brick Records)
Mike Posner – 31 Minutes To Takeoff (J-Records)
Noblesse Oblige – Malady (Metropolis Records)
Over-Reactor – Lose Your Delusion, Vol. 1 (Free Download)
Blake Shelton – All About Tonight…


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Huge, yearning, beautiful. What the avalanches might have sounded like in 2010, where dilla may have been going. Star Slinger picks up where they left off, and, when he’s on his game, brings it to the moon. Four minutes of bliss.

“Bumpkin”

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