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All expressions of jubilation and pleasure (and depressing-looking hand claps) are property of the Great Leader, who likes to look at things.

Err’day I’m shuffarin’.

I guess it’s that time of year again. The time of year where I relentlessly put off things like studying and finals to somehow narrow down all that I’ve listened to in 2011 to a coherent 25 albums, which proves to be a near-impossible task every time. Yet, knowing that I’m almost certainly going to hate this list in a couple months, here I am anyways, trying to explain how or why these albums are better than the rest, and why some are better than those, and why one is better than them all.

I mean, I always mess it up. For context’s sake, last year I inexplicably managed to put Sufjan’s The Age of Adz at the top position, in a year that had The Monitor and The Wild Hunt and a bunch more deserving records. This year I also go with an out-of-nowhere oddball, a brilliant record that I didn’t realize was so amazing till very recently. I don’t know why I do this. Seriously. I mean, I guess it always becomes an emotional thing at this time of the year, when subjective thought takes a backseat. I feel as if this can be excused, though. It’s almost Christmas.

And it’s been a hard year. Without getting too sappy or self-involved or anything, a tragic event happened this year that shook me and my entire community to its core. Four of my friends died in a car crash coming back home from…

If there was a year where music met the digital, it was 2011. It was the year where the persona encompassed the artist to the point where it mattered more than the music. The obsession over identity explains the rise of Odd Future, the polarizing Lana Del Rey, Kreayshawn, and countless other hyped artists. Though it’s been said, many times, many ways, Twitter and social networking have changed the perception of our favorite artists forever. Who would Tyler, the Creator be without @fucktyler? How could The Weeknd have emerged without Drake tweeting about them and without their ability to create an initial image through a free, downloadable mixtape and smoky, hazy static-image YouTube videos. Would ASAP Rocky have gotten a $3 million record deal?

That being said, my favorite music of 2011 largely stays out of these battles. With the possible exception of The Weeknd, there was no artist who leveraged their ability to construct an identity through the digital age and embody that space in their music. That’s not an easy task, and to date, only Kanye pulled it off last year with My Beautiful Dark Twisted Fantasy. Strictly musically, 2011 was a year where every genre flourished, and I became more and more invested in hip-hop as the most culturally important genre around right now. It’s another product of going digital, with more and more artists gaining enough publicity for us to notice. More and more artists have the tools to create music. It’s a wonderful time for…

I go back and forth on whether time passes too slowly or too quickly, but either way, I’m surprised every year when it’s time to make another list.  It’s always nice to go back and revisit albums that came out earlier in the year; the memories they evoke are a nice gauge of how good or bad the year was.  Merry Christmas to everyone on Sputnik, and I hope you all have positive memories when you make your own lists.

25. Childish Gambino – Camp

Community has become one of my favorite television shows ever, and that’s the only reason that I listened to this album. I didn’t listen to Watch the Throne or Goblin or undun or really any other hip-hop album that came out this year. I just haven’t really been in the mood. But I’m glad that I listened to Camp, because it turned out to be one of the most enjoyable listens of the year. It’s catchy but that’s not really it. A lot of people have criticized Donald Glover for his lyrics, and I’m certainly willing to concede that some of them are pretty bad, but this is probably the album that made me listen most attentively this year. By the end of my first listen, I really felt like I’d been on a journey, like I’d gotten to know Glover a little bit. There’s a lot of confusion on Camp – most of the record…

Happy December!

I’m sorry for the TL;DR length of this. I guess I rambled a lot. And secondly, I apologise for the quality, which might be the result of a late 5 hour rush through this. It has been a very good year.

All of these are lovely Sputnik 4.5s, I would say. Unless they’re 5s. Enjoy!



Dananananaykroyd– There Is a Way

When I saw these guys play their last show in Leeds (ever!) on their last tour of the universe as we know it, I sort of felt like I was hitching a ride. Everyone else seemed so clued in on these guys, so it was like the outside of post-hardcore’s very own in-joke, one that only makes sense when you see how joyous an experience they are. There’s the hair ruffling—which I was on the receiving end of—and the wall of death that converts death into hugs. Most will tell you that prior knowledge of their albums is pointless, and it kind of was that way: I could pick up every chant of “da na na na!” as it bounced from fan to fan. It was the gig first for this band, but going back to There Is a Way felt wholly satisfying to me- I was able to see where one ridiculous song ended and where the next began. The two best—“Think and Feel” followed by the stomping “Muscle…

Earlier this year, the world was meant to end. You’ll probably recall that it didn’t, but on looking around, you could probably just about be forgiven for keeping the champagne on ice; it’s not exactly pretty out there. With that in mind, there is obviously no room any more for miserable or downtrodden music. Forget F# A# Infinity: the true sound of the apocalypse is blind defiance in the form of these nine songs, some ecstatic, some considered, all (ultimately) optimistic. And it goes like this:


Coldplay – Every Teardrop Is A Waterfall

Said soundtrack begins, obviously, with a synth. Everything about Mylo Xyloto was euphoric and celebratory but this track is a microcosm of all the joy and release that Coldplay’s new album sprints through. In 4 minutes it morphs from an innocuous (but still insatiably catchy) beginning to a deafening climax. Every tear, every tear, every teardrop is a waterfall. Denial? Who cares.


The Dangerous Summer – War Paint

Like those intro drums indicate, sometimes it’s better to clench your fists and rise to a challenge; here, it’s the noble cause of laying down your arms. Poltical relevance! But really, nobody pictures a battlefield in the Middle East on hearing the words “Come down; all the fighting’s over!” It’s packed full of adrenaline and conviction in all the right ways, and opens one of the most relentlessly energetic albums of 2011. COOOME DOWWWWWN…


Scroobius Pip – Broken Promise

December is always a very slow month for new releases. Due to that fact and the influx of upcoming features, this will be the last news post of 2011. Review links will be updated on this page through the end of the year, but all of the other items will be put on hold until 2012.

As a reminder, voting is still open for the Users’ Best of 2011 list. Go to this thread, (read the guidelines) and vote:

Here’s a list of major new releases for December 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

December 2
Chevelle – Hats Off To The Bull (Epic)
Nightwish – Imaginaerum {EU} (Roadrunner Records)
Nujabes – Spiritual State {JP} (Hydeout Productions) – Nick Butler
VVV – Across the Sea (Fortified Audio) – Deviant

December 6
Age of Woe – Age of Woe [EP] (Pivotal Rockordings)
Bassnectar – Divergent Spectrum (INgrooves)
The Black Keys – El Camino (Nonesuch) – Rudy Klapper
Cormorant – Dwellings (Self Released)
The Cure – The Cure: Bestival Live 2011 ([PIAS] America)
Czar – Vertical Mass Grave (Crack Nation)
Doris Day – My Heart [U.S. Edition] (Arwin Productions)
The Dead Milkmen – The King In Yellow (QUID ERGO)
Neil Diamond – Very Best Of Neil Diamond (Sony Legacy)
Dia Frampton – Red (Universal Republic) – Trey Spencer
Korn – The Path of Totality (Roadrunner Records) – Deviant
Lionize – Superczar and The…

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Dia Frampton – The Broken Ones

Dia Frampton is one-half of the duo known as Meg and Dia (mind-blowing shit, I know). Apparently, she decided to audition for the TV show The Voice after her band was dropped from their record label. Her only goal was to try to bring attention to their current release, Cocoon, but she ended up finishing second overall. So, with fame comes the  great responsibility to go solo, and that is where we are now. Dia was signed by Universal Republic and is set to release her debut solo album, Red, on December 6th. This is the video for her first single, “The Broken Ones”. I haven’t heard the album yet, but apparently she will be sticking with her ‘indie roots’ throughout the album. As long as she releases more music videos, who cares ;)


Dia Frampton – Red
Release Date: December 6th
Record Label: Universal Republic

Stream Full Album Here

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It’s that time of year again — time for the Sputnik users to vote for their favorite albums of the year. Deviant and the Contributors will be heading up the voting and details. Go to this thread, (read the guidelines) and vote:

Here’s a list of major new releases for the week of November 29, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

Anchorsong – Chapters (Tru Thoughts)
Beggars & Thieves – We Are the Brokenhearted (Frontiers Records)
Blut Aus Nord – 777 – The Desanctification (Season of Mist) – Kyle Ward
Brand New – Your Favorite Weapon [Deluxe Edition] (Razor & Tie)
Cage – Supremacy of Steel (SOPQ)
Curren$y – Jet Life/Jet World Order (iHipHop Distribution)
Fades Away – Perceptions (Fades Away Productions)
Gorillaz – The Singles Collection: 2001-2011 (Virgin Records)
Hot Chelle Rae – Whatever (RCA)
Kj-52 – Kj-52 (Bec Recordings)
The Lemonheads – Hotel Sessions (CBRA)
Me Vs. Myself – Where I Am… Where I Want To Be (Century Media)
Ourlives – Out of Place (Spartan Records)
Pink Martini – A Retrospective (Heinz Records)
Rashad & Confidence – Element of Surprise (Ill Adrenaline)
Maria Rita – Elo (Warner Music Latina)
Royal Hunt – Show Me How to Live (Frontiers Records)
Soziedad Alkoholika – Cadenas De Odio (BOA Music)
Trey Songz – Inevitable (Atlantic)
Vildhjarta – Masstaden (Century Media)
Xenomorph – Empyreal Regimes (Self Released)
Young Jeezy & Yo…

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Here’s a list of major new releases for the week of November 22, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

Big Time Rush – Elevate (Columbia)
Mary J. Blige – My Life II: The Journey Continues, Act 1 (Geffen Records)
The Break Up – Synthesis (Metropolis Records)
Kate Bush – 50 Words For Snow (ANTI Records)
Vanessa Carlton – Hear the Bells [EP] (Razor & Tie)
Caustic – White Knuckle Head Fuck [EP] (Metropolis Records)
Cloudkicker – Loop (Self Released)
Chris Cornell – Songbook (Universal Music)
Daughtry – Break The Spell (RCA)
Dimlite – Grimm Reality (Now Again)
Doap Nixon – Doap Traffiking (Nickel Bagz)
Doomtree – No Kings (Doomtree Records)
James Durbin – Memories Of A Beautiful Disaster (Wind-Up)
Floating Points – Shadows [EP] (Eglo Records) – Deviant
Gazpacho – London (KSCOPE)
J. Period & Black Thought – The Best of The Roots (RBC Records)
Kingdom [US] – Dreama (Night Slugs) – Deviant
Koji Kondo – The Legend of Zelda 25th Anniversary Symphony (Nintendo)
Lagwagon – Double Plaidnum [Reissue] (Fat Wreck Chords)
Lagwagon – Duh [Reissue] (Fat Wreck Chords)
Lagwagon – Hoss [Reissue] (Fat Wreck Chords)
Lagwagon – Let’s Talk About Feelings [Reissue] (Fat Wreck Chords)
Lagwagon – Putting Music in its Place [Box Set] (Fat Wreck Chords)
Lagwagon – Trashed [Reissue] (Fat Wreck Chords)
Magazine – No Thyself (Wire-Sound Records)
Mobb Deep – Black…

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Matt’s Best of 2011

Before I’m lambasted for only putting only six albums on my ‘best of 2011′ list, I’d like to mention a couple of things. One: I’ve digested less music this year than any of the last five or six, and two: there were plenty of albums which I liked but clearly had no place on a ‘best of’ list, especially in a top ten. The lack of discovery isn’t due to any ‘personal issues’ or ‘other commitments’ (though I have been really busy). I’ve just fallen ‘out of love’ with new music a bit this year, and I don’t know whether that’s due to me or the music, but, regardless, something isn’t quite right. I hope to find myself back in the game next year. The quality of reviews/reviewers on this site has come on leaps and bounds in the last few years (seriously, even some of the user reviews blow me away) and I’d be foolish not to want to be a part of that. Anyway….

Inspired by Hemingway’s six word story (after being reminded of its brilliance in Knott’s lyrics post a couple weeks back), I challenged myself to go one better and write my best of 2011 with mini reviews that had only half the word count. It wasn’t easy. Some might say it required even more effort than those writing 500+ words. Others know me better than that. In no order:


Hi. My name is Adam. I’m 22, I speak three languages, and I don’t believe in god. When I was 15 I got my heart broken and fell into radio pop-punk, which put it back together again without even thinking twice. Since then, I’ve gradually fallen deeper and deeper into music; I discovered post-rock through God Is An Astronaut and dubstep through Burial, and as it grew more dizzying it got more important. I love music.

Is it so wrong to admit that? And yet, almost every professional music publication in the world denies the humanity behind both its writers and its readers by presenting itself as wholly impartial. Critique 101 reads as follows: “don’t refer to yourself in the first-person; it looks unprofessional.” Is that what “professionalism” means now – detachment? How can you expect people to take seriously any article whose author claims that what he’s written is not a reflection of himself? Why would you want to? People don’t listen to music in a state of disconnect; whatever’s playing right now, the chances are that it’s making you feel something. So why would you ever want to even pretend that the best way to talk about music is by taking five or ten steps back? Or even one?

There is simply no such thing as an objective stance on music. OK Computer is not better than “Friday” by Rebecca Black. Sorry. I wish beyond all limits that it were possible to say so, but there are definitely…

(25) Kevin Devine – Between the Concrete and Clouds

Between The Concrete and Clouds is perhaps Devine’s calmest album, but it is also his fullest instrumentally. Lush atmospheres complement Devine’s sensitive crooning like we have never heard before, and his lyricism here is brilliant enough to stand alongside former tour mates Jesse Lacey and Andy Hull. This is an essential listen for anyone whose taste leans towards alternative rock and/or acoustic songwriting…definitely one of Kevin Devine’s most mature and complete recordings.

Sample: “Off-Screen”

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(24) Sleepingdog – With Our Heads in the Clouds and Our Hearts in the Fields

Utilizing a minimalist approach to achieve a sense of calm still, this album is strikingly reminiscent of an afternoon spent lazily staring out the window while droplets of water collect on the outside edge of the sill. The soft, supple arrangements and electronic inclusions contribute to a natural flow within the album that makes it quite the cohesive work – with nary a forced or artificial moment to break up the magic created by string after string of beautiful, almost celestial, atmospheres. Full of spacey, haunting, and charged atmospheres, Sleepingdog have once again shown us that less can be more.

Sample: “He Loved to See the World Through His Camera”

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(23) 1,2,3 – New Heaven

New Heaven sounds eerie, unfamiliar, and unpredictable the majority of the time. This can be…

Here’s a list of major new releases for the week of November 15, 2011. Please feel free to request reviews for any of the following albums from staff or contributors.

65daysofstatic – Silent Running (Hassle Records)
Author – Author {UK} (Tectonic) – Deviant
Blut Aus Nord 777 – The Desanctification (Season of Mist) – Kyle Ward
Cappadonna – The Pilgrimage (Fat Beats)
Caveman – Coco Beware (Original Recordings Group)
Childish Gambino – Camp (Glass Note)
Cloudkicker – Let Yourself Be Huge (Self Released)
Coronatus – Terra Incognita (Massacre Records)
Cynic – Carbon Based Anatomy (Season of Mist)
Drake – Take Care (Cash Money)
Eisregen – Madenreich [EP] (Massacre Records)
Elm Street – Barbed Wire Metal (Massacre Records)
FaltyDL – Atlantis [EP] (Ninja Tune) – Deviant
Goldmund – All Will Prosper (Western Vinyl)
Gym Class Heroes – The Papercut Chronicles II (Fueled By Ramen)
Has-Lo – Conversation B (Mello Music Group)
The Jigsaw Seen – Winterland (Vibro-phonic)
Los Campesinos – Hello Sadness (Arts & Crafts) – Channing Freeman
Leigh Nash – Hymns & Sacred Songs (Kingsway Music)
Newsboys – God’s Not Dead (Inpop)
Laura Pausini – Inedito (Warner Music Latina)
The Orb – C Batter C (Elefant Spain)
Pianos Become the Teeth – Lack Long After (Topshelf Records)
Pink Martini – A Retrospective (Heinz Records)
Quelle Chris – Shotgun & Sleek Rifle (Synergy Works)
R.E.M. – Part Lies, Part Heart, part Truth, Part Garbage: 1982-2011 (Warner Bros.)
Seventh Day Slumber – The Anthem of Angels (Bec Recordings)
Sigur Ros – INNI [Live CD/DVD] (XL Recordings)
Slash – Made…

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