Right when I start to think the forthcoming album should be renamed to something along the lines of This Record is Never Coming, Trash McSweeney and his merry band continue to release teaser after teaser that The Revolution is Never Coming is actually going to see the light of day sometime in 2013 (as opposed to the heavily-rumored 2010, 2011, and/or 2012 release dates).
Trash may have tone-to-color synesthesia, but just imagine how much I’d have to curb my anticipation if he had triskaidekaphobia.
All kidding aside, I’m looking forward to seeing them on their Chinese Whispers tour in April (the band is currently touring the United States after spending the latter part of 2012 in Europe), and keep your fingers crossed that I’ll be able to have a chat with the band prior to the gig. Their live shows are one-of-a-kind, and while I can’t promise that I’ll be a human canvas (the dude version of Lane Bryant wouldn’t want me to model for them, no matter how much they airbrush the hell out of my pasty ass), I can guarantee you that I’ll be obscenely geeked to watch them perform.
“Rain” is today’s track of the day, but it is the re-recorded version found on the forthcoming The Revolution is Never Coming. Similar to how the band revamped the immensely popular “The Streets Fell Into My Window”, their new “Rain” arrangement is characterized…
Congratulations to our newest contributors and staff. Go to their shoutboxes and let them know how happy you are for them.
Our news has been a little off-and-on lately so here’s a list of major new releases beginning February 18, 2013 and running through March 1, 2013. Please feel free to request reviews for any of the following albums from staff or contributors.
Anders & Kendall – Wild Chorus (Nine Mile Records)
Atlas Genius – When It Was Now (Warner Bros.) Beach Fossils – Clash The Truth(Captured Tracks)– Cam Boil – aXiom(ViciSolum Productions)– Greg Fisher
Bobby Long – Wishbone (Ato Records) Buckcherry – Confessions(Century Media)
Dark New Day – Hail Mary (Pavement Ent)
Devourment – Conceived in Sewage (Relapse)
Eat Skull – III (1-2-3-4-GO!) Giles Corey – Hinterkaifeck(Enemies List Home Recordings) Iceage – You’re Nothing(Matador Records)– Adam Downer
Jamie Lidell – Jamie Lidell (Warp Records)
Jason Marsalis Vibes Quartet – In A World Of Mallets (Basin Street)
Krypts – Unending Degradation (Dark Descent Records)– Kyle Ward
Mark Kozelek – Like Rats (Caldo Verde)
Mark Kozelek – Live at Phoenix Public House Melbourne (Caldo Verde)
Matmos – The Marriage Of True Minds (Thrill Jockey) …
I’ve always found it difficult to express to other musicians why I find indie music* so intriguing. Instrumentally, there usually isn’t much there — indie tends to be vocally driven, minimal, and frankly a bit repetitive. (* what is indie music? whatever I want it to be for this post)
The new single ‘White Leather’ by Wolf Alice doesn’t break this mold. It consists of a simple four measure riff that repeats throughout the entire song. In the chorus they add a second riff. That’s it.
Liverpool-based Ninetails have spent the past twelve months picking up plaudits and fans like there’s no tomorrow, all of it well deserved. A clinical sound and unwavering attention to detail led to the creation and release of last year’s Slept And Did Not Sleep EP; a fine record that shows a group very much in control of their talent and potential. Not much else to say here except “enjoy”!
Download the EP for a price of your choosing HERE.
In conjunction with Fake Four Records, Sputnik Music is proud to present an exclusive stream of the upcoming sophomore LP from Seattle rapper Sadistik. Flowers For My Father is due for release on Fake Four Records this Tuesday, February 19th in the US. Sputnik’s recently featured review can be found here: Sobhi Youssef’s Review.
Flowers For My Father marks Sadistik’s first solo album since his 2008 debut, The Balancing Act, and charts his growth in spades. Evolving his style to a more synthesized rendition of a signature cinematic Seattle sound, the new album displays a distinct combination of Sadistik’s complex, vulnerable writing with textured, ambient production handled by the likes of Blue Sky Black Death and Kno of CunninLynguists. Featured guest performances from indie hip hop heroes such as Cage, Deacon The Villain, Astronautalis & more result in his most developed, mature and revealing project to date.
Shortly after the release of The Balancing Act, Sadistik’s father tragically passed. Never one to shy away from heavy topics or keep his personal life personal, Sadistik wrote this album for his late father, choosing to treat each song as an update of what has happened in his life since. This is reflected in writing which delves into depression, romance, heartbreak, optimism and the struggle to make sense of the ever-shifting pieces in the world around him.
A heart-wrenching exposition, the video for James Blake’s latest single is an artful, soul-steeped take on the apocalypse. As the lone motorcyclist approaches what seems to be a party of sorts, she finds herself in a time warp of what seems to be the last second before certain all-inclusive death. Perhaps a message expounding the sanctity of our time on this planet, regardless it is refreshing to see such a creative take infused with science-fiction. Many circles have branded the single as lending far too much from the likes of Tom Krell (How To Dress Well), but as the adage goes, imitation is the best form of flattery. “Retrograde” takes this ambient pop formula and couples it with the most evocative soul performance of the fledgling new year. If James Blake performs this at the end of the world, I’ll surely see you there.
Sputnik Music, in conjunction with Further Seems Forever, is currently giving away two tickets to their New York City concert on Friday night. Check out the contest page and make a submission.
Here’s a list of major new releases for the week of February 5, 2013. Please feel free to request reviews for any of the following albums from staff or contributors.
Alpha Tiger – Beneath The Surface (Century Media)
Bjork – Bastards (One Little Indian)
The Bronx – The Bronx (IV) (ATO Records/Red)
Chris Stamey – Lovesick Blues (Yep Roc Records)
Coheed and Cambria – The Afterman: Descension (Hundred, Handed Inc.)
Darkstar – News From Nowhere (Warp)
Dog Bite – Velvet Changes (Carpark Records)
Eels – Wonderful, Glorious (Vagrant Records)
Frightened Rabbit – Pedestrian Verse (Canvasback/Atlantic)
Funeral For A Friend – Conduit (The End Records)
Grouper – The Man Who Died In His Boat (1-2-3-4-GO!)
Harry Connick Jr. – Smokey Mary (Sony)
Hayden – Us Alone (Arts & Crafts)
Holly Williams – The Highway (Georgiana Records)
Jim James – Regions Of Light And Sound Of God (ATO Records/Red)
Joe Budden – No Love Lost (Entertainment One Music)
Josh Groban – All That Echoes (Reprise)
Matt Pond – The Lives Inside The Lines In Your Hand Out (BMG)
Misfits – DEA.D. ALIVE! (Misfits Records)
Necrowretch – Putrid Death Sorcery (Century Media)
Pacal Pinon – Twosomeness (Morr Music)
Plastician – Dubstep Allstars: Vol. 10 (Tempa)
Red – Release The Panic (Provident)
Richard Thompson – Electric (New West Records) …
Congratulations to Sputnik Music user Asaf. You have won two tickets to the upcoming Further Seems Forever concert. Unfortunately, the concert has been postponed due to a nasty storm in the New York area. The new date has yet to be decided.
—Contest is Now Closed—
Do you want to win two tickets to Further Seems Forever’s upcoming show in New York? Just answer the following question by the end of Wednesday February 6th:
Which of Further Seems Forever’s vocalists has been your favorite and why?
E-mail your answer to us and include ‘Further Seems Forever Contest’ in the subject. It’s that easy.
E-mail your answer to: Sputnikreviews at Gmail.com
The show is taking place at the Gramercy Theatre in New York City on Friday February 8th at 7:00 pm. You must be 16 or over to attend the concert (unless accompanied by an adult). Tickets are available to purchase through Live Nation.
Despite a number of unsuccessful forays into the performing/making/selling music trench, I thought I’d have another go anyway. 1902 is comprised by myself on bass and backing vocals and two members of local heroes The Trestles filling out the rest of the line-up. Not much else I can say just yet. The EP was recorded and released 19/01/13, and frankly I figured at least a few of you would be interested.
Feedback etc welcome and ultimately I hope you just enjoy it. It is available for free download.
— Daterape Cookbook
— Smirk the Godblender
– To Build a Better Bulldozer
2013 marks the twenty-year anniversary of the release of Thought Industry’s Mods Carve the Pig: Assassins, Toads and God’s Flesh. It was an album that was so ahead of its time that’s there’s still really nothing that sounds like it. Take the abrasive, confrontational nature of Ian McKay and Minor Threat, mix it with a bit…
I’ll just come right out and say it to set the tone of this post: Quorthon is arguably the single most influential person in extreme metal. I could name at least two genres and countless bands that would not be the same – let alone even exist – had he not decided to get drunk and record Bathory’s self-titled debut in 1984. Taking thrash, speed metal, classic heavy metal, and even NWOBHM and pasting it with imagery so vivid as that of Mercyful Fate and Venom circa the early-1980’s and lyrical themes from years even before that, then mashing it all up in a mix of static, fuzz, and reverb he had essentially invented black metal. Sure, Celtic Frost, Hellhammer, and the oft-venerated Venom were around or had been recording in the same era (Celtic Frost’s Morbid Tales was recorded around the time Bathory was released and Hellhammer had been playing some very thrashy first-wave black metal since 1983, eventually to disband and become Celtic Frost), but the spirit of what black metal was to become was most definitely in the sound that Bathory developed. The genre is essentially a mangled spin-off of thrash – especially in its early days – but Bathory helped to bring it to places that would really change the game for this fledgling sound, and long after Quorthon had moved onto bigger and better things his creation flourished, for better or worse.
Rather than get into an argument over the details of the…
Here’s a list of major new releases for the week of January 22, 2013. Please feel free to request reviews for any of the following albums from staff or contributors.
Aaron Neville – My True Story (Blue Note Records)
Adam Ant – Adam Ant Is The BlueBlack Hussar In Marrying The Gunner’s Daughter (R.E.D. Distribution)
Alasdair Roberts & Friends – A Wonder Working Stone (1-2-3-4-GO!)
Bad Religion – True North (Epitaph)
Biome – Swamped (Mindset)
Boddika – Soul What (Remixes) (Swamp 81)
Camper Van Beethoven – La Costa Perdida (429 Records)
Carrie Rodriguez – Give Me All You Got (Ninth Street Opus)
Cluekid – Dolphin/Fossil (Aquatic Lab)
Continents – Idle Hands (Victory Records)
Corner Crooks – Timetravel (Footsteppa Records)
Dante – November Red (Massacre Records)
Darius Rucker – True Believers (Capitol Records Nashville)
Dawn Richard – Goldenheart (101 Distribution) DRGN KING – Paragraph Nights (Bar None Records) Irving Tan
Envinya – Inner Silence (Massacre Records)
Esben And The Witch – Wash The Sins Not Only The Face (Matador Records)
Everything Everything – Arc (RCA)
Fall City Fall – Victus (Victory Records)
FaltyDL – Hardcourage (Ninja Tune)
Fidlar – Fidlar (Mom & Pop Music)
For All I Am – Skinwalker (Equal Vision Records)
Foxygen – We Are The 21st Century Ambassadors Of Peace & Magic (Jagjaguwar)
Gary Allen – Set You Free (MCA Nashville)
God Module – Empath 2.0 (Metropolis Records)
The Growlers – Hung At Heart (Everloving)
Guided By Voices – Down By The Racetrack (GBV Inc) …
Rush’s latest musical endeavor was without a doubt one of the most highly anticipated albums of the year. Clockwork Angels, at its core, is a reflection of both the trio’s past artistic accomplishments as well as their latest aspirations. It’s a musical collage of both old and new characteristics, formulating yet another captivating release from the biggest name in Progressive Rock today. Clockwork Angels shows Rush returning yet again to a conceptual theme, one that revolves around a young man’s quest through a world consumed by chaos. We, as the listeners, journey along with him, encountering pirates, anarchists, exotic carnivals, as well as discovering lost cities and everything else that inhabits this peculiar realm of sci-fi fantasy. As for the instrumental aspect of the album, we continue to find Rush steering further away from the lengthy compositional epics, but while still managing to retain the same level of artistry. Instead of having us dwell into elongated voyages of elaborate musicianship, Rush have compressed all of their eclectic range of influences into a more accessible collection of dynamic hard rock songs. Clockwork Angels tends to have its foot in a lot of musical territories once explored by Rush, with each song exhibiting an array of stylistic variations that incorporates everything from their typical Progressive and metal sounds, to Fusion-esque solo passages, and spacey atmospheres. It’s rather comforting to see that…
It’s a slick and polished album, the closest he’s ever come to mainstream rock and – dare I say – pop. While an album as polished as this may be an area as of yet unexplored by Townsend and other metal guitarist’s solo work as well, the mainstream rock sound isn’t new territory in general even if it’s new to him, and he unfortunately falls to some of the genre’s conventions here and there. Still though, even if it’s sound isn’t too experimental, Townsend seamlessly slides into this poppy new sound, boasting a powerful contrast between technical riffage and poppy melodies, and most pop music would sound a hell of a lot better if it was helmed by Townsend as skillfully as it is here on Epicloud. – breakingthefragile
Mass V does nothing but further cement Amenra’s place in the upper echelon of sludge/post-metal. Drawing influences from the heralded Neurosis, Amenra specialize in the creation of dark atmospheres that are combined with heavy, downtuned riffs. Unlike most of their peers, though, Amenra’s brand of dark, sludgy post-metal manages to sound invariably vigorous because all their records have excellent, oppressing atmospheres. They feel alive and pull the listener in, tingling…
As an occasional enthusiast of the Indie and Alternative rock scenes, I rarely come across an album within both genres that manages to enthrall me in such an such a way that leaves me utterly speechless throughout its run. What intrigued me so much about Hop Along’s Get Disowned, is their ability to blend a lot of different characteristics from various genres to create an innovative montage of melodies. Hard-edged rock jams, electronic beats, acoustic segments, each of these music styles serve to augment the irresistibly charming voice of Francis Quinlan, who uses her mellifluous Favourite vocals to add a catchy pop-like flair to the album. Get Disowned is a very fun listen with a lot of variety in its sound, but at times, the compositional structures of certain songs tend to sound rather amateurish. Though not necessarily in a way that sounds messy, but rather youthful. There is an impression of adolescence that the album seems to express, and maybe it’s the childlike aloofness of Francis Quinlan singing, the adventurous though sloppy combination of musical styles, or the fact that this a group striving in the early stages of their career, their lyrics are comprised almost entirely of topics that could hardly appeal to anyone above 30, and yet, there’s something about the way that Hop Along present themselves that you just can’t say “no” to. You want to…