Oh yes, I can dig this. Give me indie-pop made solely with hooks and blow ‘em up. Cut the beat so they stick in your head. Give that familiar indie-wail a little swagger. The lyrics? They weren’t that important anyway. Make them vague and sexual enough to blend into the song, but give me a […]
Track of the Day
~In a While Now, I Will Feel Better~ It’s rare for me to draw inspiration from an artist as commercialized and famous as Shinedown. Typically, I like to find songs by bands so anonymous to the general public that I feel like they only apply to me. But for some reason, I have felt a […]
So in case you haven’t heard, indie-pop legends The Shins are releasing their fourth studio album, Port of Morrow, this Tuesday. The entire album is actually streaming via iTunes (and it is pretty damn good) but “Simple Song” really stuck out to me. Its breezy, carefree chorus takes me back to the days of Oh, […]
Welcome! If you have navigated through the vast interweb desert in search of great, up-to-date music, then I present to you the oasis. As part of a new feature here at Sputnik, we are composing a quarterly mixtape of sorts – one where black metal can be found alongside indie, and where staff and user […]
Radiohead pulled through Dallas last night on their tour supporting last year’s The King of Limbs, and while the main set contained most of the tracks off that album (including “Little by Little,” “Feral,” and “Morning Mr. Magpie”), they did manage in a few lovely standouts from their OK Computer and Kid A (“Karma Police,” […]
And so it would seem that another Burial & Four Tet collab is on the way. Uploaded about an hour ago to Soundcloud by Hebden himself, ‘Nova’ is the natural extension of Wolf/Moth Cub, and is for lack of a better description, fucking spectacular. At the moment details remain rather scarce as to the fate […]
One album that I’ve been holding out for ever since its announcement (and after hearing the My Old School EP, knowing that, one day, he’d have to present us with a full-length of some kind) is John Talabot’s debut LP, fin. One of those rare house releases that purposefully avoids existing in any particular time […]
Here’s another glare from Stephin Merritt, and this time it’s a reminder: before this non-synth triology of nonsense was a late ’80s, early Indie band falling into the new decade with nothing but the tricks they’d been taught to survive. Tricks which they had failed at, anyway, because of Merritt himself, hands in his face […]
From Ingrid’s upcoming January 2012 release, Human Again, I invite you to get swept up in “Ghost” with me. Personally, I thought Everybody was a bit unimaginative for this whimsical, often quirky pop star…but it seems like she is on the right track again after teaming up with producer David Kahne (Imogen Heap, Bangles). Enjoy. […]
As part of the second wave of French House, Justice were pretty big in 2007 with their debut album † (Cross). The reception to early releases from upcoming album Audio, Video, Disco (due for release October 25th) has been mixed. Clear though is the change in direction signaled with the upcoming album, with rock elements present on […]
Radiohead released their eighth studio album to some fanfare earlier in 2011. Forthcoming is TKOL RMX 1234567, an two-CD remix album of content from The King of Limbs. The pitfalls of remix albums are not that difficult to determine. Whether from artists rushing a remix to earn a quick buck and get their name seen, […]
Belfast punk trio Empty Lungs have been knocking around for about a year now and ‘Identity Lost’ is their first formal release, a three-track single produced by Rocky O’Reilly (of the late, great Oppenheimer). The band cite Jawbreaker and Hot Water Music among their major influences, but the one that springs immediately to mind is […]
Major/Minor is Beggars with a purpose, and that purpose is to kick ass. “Anthology” hits harder than any Thrice song in the last five years. I’m continually impressed with Dustin’s vocal performance, not just in this song but the album as a whole. He’s never exactly sounded bored on past albums, but the lack of […]
Anybody who’s known me for more than five minutes knows that I have a bit of a hard on for Irish music (I run a blog exclusively devoted to the stuff here) and those who’ve known me a little longer know that I have a special place in my heart for Irish hip hop, which is nothing like the oxymoron that it initially appears.
Ireland has been producing underappreciated rap for years, going back to the innovative trip hop of Marxman through Scary Eire and modern acts like Messiah J & the Expert, the Infomatics and Melodica Deathship. Unfortunately, the general view of Irish rap is dominated by half-baked acts like House of Pain (though some of Everlast’s solo output is legit) and… well I don’t even know what the fuck this is but it needs to be fucking put down immediately.