Sputnikmusic is currently holding a Linkin Park contest. One lucky winner will receive a CD copy of LIVING THINGS signed by the band, a pair of Rob Bourdon signature Vater drumsticks, a Linkin Park t-shirt and band stickers & buttons! Also included is a one year membership to the official Linkin Park fan club: LP Underground. Members receive early entrance to Linkin Park shows, chances for Meet & Greets, access to concert pre-sale tickets and best seats, exclusive music, live video chats with band members and much more. So, go here for more details.
We are also still accepting applications for anyone interested in becoming a Contributing Reviewer for this site. To submit your applications (and to read the submission guidelines), head here.
Here’s a list of major new releases for the week of June 26, 2012. Please feel free to request reviews for any of the following albums from staff or contributors.
16Volt – LetDownCrush [Reissue] (Metropolis Records)
I first attended The Fest in 2011, and I’ve since wondered about what that weekend means, if anything. It is billed, rightfully so, as the largest punk festival in the country, but there were only a marginal number of big names and they all, for the most part, had the shortened timeslots that plague such events (one has to wonder why Warped Tour still draws a crowd year after year, offering outdoor stages, mediocre sound quality, the blazing temperatures of summer, and 20 minute sets). Granted, bands like Magrudergrind and Comadre are well-served by short sets, and an hour certainly seems enough for your Hot Water Musics and Against Me!s.
Much of The Fest’s appeal seems to lie in the possibility of what might happen rather than what is actually scheduled to. “Secret shows” always produce heavy rumors passed around with all the fervor of notes in school. One hears that Comadre is playing an At the Drive-In cover show in a warehouse 30 minutes outside of town (didn’t happen), and that Alternative Press is hosting their own mini-festival of bands playing cover shows, such as Bomb the Music Industry! covering The Weakerthans (happened). Not everyone is in the mood to be excited about these things at two in the morning after a long and sweaty night of shows. But there are people with boundless zeal who are constantly energetic to see something they may never get to see again. It is, even in a state of exhaustion, a little…
Are you Canadian? Do you like Death Grips or just enjoy free stuff? Well, here is your chance to win the most recent CD by hip-hop artist Death Grips. We have a copy of The Money Store to give away to one lucky Canadian fan. The only thing that you need to do is use the words ‘Death’ and ‘Grips’ in a sentence (paragraph or story if you’re feeling overzealous). Make it witty, funny or sarcastic — the end goal is to be amusing. Contest is open to Canadian residents only and will end on May 29th.
E-mail your submissions here (make sure the subject is “Death Grips Contest”):
In anticipation of Keane’s fourth studio album Strangeland (to be released this Tuesday, May 8th), Sputnik will be hosting a prize pack giveaway. The contest is based upon the music video to their latest single, “Disconnected”, which was filmed by directors Juan Antonio Bayona and Sergio G. Sanchez inside a haunted house in Barcelona while following a distinct 70’s horror aesthetic. The contestant who submits the best movie slogan/tagline in 15 words or less (i.e. Jaws‘ “Just when you thought it was safe to go back in the water”) will receive the following:
The winner will be chosen based on originality, cleverness, and/or humor, as well overall quality of the slogan. All answers should be sent via email to email@example.com. The deadline for submissions is Sunday, May 13th.
The music video can be viewed below. Good luck to all of the contestants involved!
Also, you can show your support for the band by pre-ordering Strangeland via iTunes. Get the album reserved today!
There is something about the Beastie Boys that goes beyond the records and CDs, songs and music videos. That something is that after all these years they’ve managed to keep the fire that burned beneath them as snot nosed kids from Brooklyn burning as bright as it ever did. From their rise to prominence, to being deemed cultural icons, to their being crowned the elder statesmen of an ever evolving form of art, it was never about the money and status that came with their platinum records. It was always about an enduring friendship put to tape. It is that energy that the Beastie Boys will be remembered for long after the shock of Adam Yauch’s death cedes from memory. But furthermore for the people like me who grew up with the Beastie Boys as an ever present force in the constant media barrage that accompanied the childhood of anyone who is currently under the age of 35 or so, their music progressed in a way that gave us a blueprint for growing up into functional human beings. In youth it was easy to latch on to the sarcastic rebellion of Licensed to Ill. Even though I was born in the later half of Reaganomics, that album remained everywhere well into when I was first becoming aware to music as expression. While I was too young to fully grasp the drunken machismo that surrounded it, Licensed to Ill was the b-side to my grade school discovery of bands like…
A few months ago, my best friend and I had the good sense to sign ourselves up for a competitive triathlon. 1.5km swim in the sea, 40km cycle, 10km run. We’re decent runners, decent cyclists, and terrible swimmers, so we figured why not. We like a challenge. I hadn’t swum aerobically for about six years before my first foray back in the murky blue a couple months ago. What an idiot. This shit is hard. And still is. We’re already much better than we were, but I’ll be honest, I’m fucking terrified of losing my cool in the ocean and pulling a Jack Dawson (sans the freezing cold and quiet, dignified death).
Anyway, I’m stuck in a little apartment in Vienna today listening to the rain rap its knuckles against the windows (fair enough after the beautiful week we’ve had here), trying to muster the energy to cycle out to the pool for another indecorous dip. But hey, procrastination seems so much more appealing, so instead I’m going to share a few tracks of my triathlon playlist with you all. Unfortunately, there can be no use of music during the actual event, so eventually I’ll start phasing out the usage so as not to become reliant. But, even if only in my head, I’ll still be keeping step to songs about the Holocaust as we round the last corner.
P.O.S – Let it Rattle
Well that’s a perfect starter. Worked perfectly on Never Better, works perfectly for setting…
With Thrice about to embark on their final tour and Thursday just having finished up their last shows, post-hardcore, in the terms of what originally attracted me to the genre, is dead. That’s not to say that a vibrant new community hasn’t sprung up out of the underground to replace it in the burgeoning screamo scene, or that this is the first time it has died as a similar comparison can be made of Fugazi’ and At the Drive-In’s demise after their reign as genre kings throughout the 1990’s, but certainly the aged scene which many of us were once attracted to in some way or another has reached it’s end. These two bands, besides having seemingly parallel careers and similar starting names, were in many ways the pulse of a generation of kids in the early and mid-2000’s. One doesn’t have to go far to see the influence, good and bad, that these bands have had. Sure, they are in part responsible for what Warped Tour has become over the last few years, which is dubious at best, but they never sunk into that mess themselves. After both redefining the style with Illusion of Safety and Full Collapse respectively, and then finding commercial success with releases on Island records, they continued to push themselves forward and both got themselves dropped from their labels for not sacrificing their own vision. There was no cash in. Thrice spent their advances on building and maintaining their home studio and Thursday got dealt…
First it was Willow Smith and then it was Miley Cyrus. Now, Neil Young (or is that late night talk show host Jimmy Fallon with his hat, guitar and harmonica?) ever so slightly matures to cover LMFAO and their ever so articulate hit ‘Sexy and I Know It’.
In order for the Canadian singer-songwriter to nail such a deep song, he clearly needs the help of someone just a little younger… Cue Bruce “The Boss” Springsteen to join the party and “wiggle, wiggle, wiggle”.
“That’s the best thing I’ve ever seen in my life” stated LMFAO’s Redfoo. Clearly he hasn’t seen The Boss in a speedo trying to tan his cheeks!
If you have navigated through the vast interweb desert in search of great, up-to-date music, then I present to you the oasis. As part of a new feature here at Sputnik, we are composing a quarterly mixtape of sorts – one where black metal can be found alongside indie, and where staff and user tastes coalesce into one reliable knowledge bank. Here, any registered user can submit one song from this year that they feel stands above the pack. Below is a list of some of our favorite songs from the first three months of 2012. Feel free to listen to our selections, browse the descriptions, or even register and submit your own song for next time!
Special Thanks To The Contributing Writers For This Issue:
Klap4Music / OnlyAnchors / Tyraelxy / Clercqie / FelixCulpa / OmahaStylee94 / Crysis / Emim / InnocentShadow / Blackbelt54 / ChuckTheMan / Greg84 / AliW1993 / Sanders / SowingSeason / Patrickfannon / Dimsim3478 / Monsterpoptart / Theacademy / Dimor
So without further ado, I present to you (in no particular order) the first installment of Sputnik’s Infinite Playlist!
Orbital – “Straight Sun”
Yeah, we all know how reunion tours/albums/productions are mostly cash grabs for the artists involved. Why should we waste our time (and money) on those poor, rehashed ideas when we can instead relive the better times? In…
Radiohead pulled through Dallas last night on their tour supporting last year’s The King of Limbs, and while the main set contained most of the tracks off that album (including “Little by Little,” “Feral,” and “Morning Mr. Magpie”), they did manage in a few lovely standouts from their OK Computer and Kid A (“Karma Police,” “Everything In Its Right Place,” “Idioteque”). Most notable though, even among the few new tracks currently in the tour’s circulation, was the live debut of a b-side that the band wrote over ten years ago. The track is called “The Amazing Sounds of Orgy,” which sounds almost exactly how one might expect. You can view that below.
I don’t really know what I’m doing at the moment. This is a spur of the moment idea stemming from a conversation that is currently ongoing, which I’ve decided that I’m going to be an ass and go and take it off into this tangent instead of actually finishing the conversation like a normal person. So hey! What the hell, right? Fuck it, here it goes:
Because I’m an over opinionated, egotistical jackass on the internet with a music library full of shit that I never listen to but have just because other over opinionated, egotistical jackasses have told me that they are, in some way or another, worth my time, I’ve found an outlet in writing about the thing that I love the most (a good IPA is second) on this here website. I enjoy it, but at the same time I think that this very site and those like it, pick your poison — CMG, Pitchfork, Metal Reviews, Punknews etc etc — are inherently fucked because it all stems from taking the individual experience that is listening to a record and pulling it out of context; warping it into a collection of phrases and similes meant on describing something that is, at its core, indescribable. To me the power of music lies completely within the moment. Sure it can be dissected and studied, and there is a time and a place for such scholarly exercises, but that kind of approach completely misses the psychological effect that music has…