Sarah Fimm has always been passionate about her music and sincere about getting it into the hands of as many people as she can. She is constantly making her music available to stream online, and isn’t above giving away albums – as she did a few years ago with White Birds. Even though she is known for trying to share her music whenever it’s possible, her latest endeavor still comes as a surprise for its forward-thinking and the sheer depth of the project. Karma Phala is thirty-one tracks of new and unreleased music that spans her entire recording career, including three tracks from her upcoming fifth album, Near Infinite Possibility. It covers everything from ambient electronics to soulful acoustic rock while maintaining a consistently high quality throughout. In addition to that large quantity of music, Karma Phala also includes a high-quality ‘making of Near Infinite Possibility’ video, a ton of pictures, a personal greeting from Sarah herself and more. As if that isn’t enough, she has been giving the whole thing away for free on 1-gig thumb drives (she is even covering the shipping). Included on this thumb drive is Sarah Fimm’s reason for giving this whole collection away; a mission statement:
My goal is to encourage you to share this music across the world. The livelihood of independent art relies on your consciousness to keep it alive. The only thing I ask is that you continue to use the Karma Phala drive to share…
Friends, family and complete strangers often ask me where the best place is to start discovering the work of Wildhearts frontman Ginger. Usually I’ll say something like “Earth vs. the Wildhearts” or “P.H.U.Q.” Occasionally I’ll throw out a “Valor del Corazon.” One time I even said “Yoni“!
There have been a couple of Wildhearts compilations over the years, and a raft of live recordings that could easily double for best ofs, but until now there’s never been an proper retrospective of the solo output of South Shields’ finest export since Phil Brown.
Celebrating a decade as a solo performer, 10 contains tracks from Ginger’s three solo albums, various singles and side-project Silverginger 5, as well as two brand new tracks: ‘No Way Out But Through’ and ‘This Too Shall Pass.’ Luckily, 16 tracks just isn’t enough, hence 10 (Two): a free digital compilation featuring ten tracks that didn’t make the cut.
Here’s my personal pick of the bunch: ‘The Drunken Lord of Everything,’ from 2005’s grammatically-dodgy Valor del Corazon.
10 is out now on iTunes and in record stores. 10 (Two) is free for download from Bandcamp.
Los Angeles indie rock quartet Warpaint will release their debut album The Fool on October 26, and record label Rough Trade have kindly made the full record available to stream in full via the delightful embedded widget below.
In addition to being a handy excuse to use the word “widget,” The Fool is a genuinely interesting record, running the line from folky indie rock to shimmering post-rock, with electronics and subtle orchestration a fleeting presence.
Warpaint have just finished a run of dates in the United States in support of The xx and will launch their first headlining tour of Europe on Thursday in Dublin, Ireland.
Mere mortals like myself tend to be mesmerised by beatboxers at the best of times, but Los Angeles rapper Red takes it to a whole ‘nother level. This video, filmed when Red was homeless on the streets of LA, shows him in full G-Funk mode, mixing chest percussion, throat bass and insane natural vocoder action in what already ranks as one of the greatest things I’ve ever seen in my entire life.
There’s a hint of a commercial tie-in as Red wears a “Just Do It” shirt while dropping rhymes about Nike, but it could as easily be coincidence. The numerous references to Warren G, G-Funk Records and Snoop Dogg, not so much so. Sit back and prepare to just… wow.
Gold Panda has made available his entire debut album Lucky Shiner for streaming. The album delivers on all the promise shown in singles such as Quitter’s Raga and You, carving out an enticing array of songs.
Lucky Shiner is available for purchase digitally at Ghostly International, with the physical copy releasing October 12th.
I don’t really know anything about Sound Set aside from what their Facebook and my rudimentary French tells me, which is that they’re a Franco-German trio of DJs and producers with a passion for new wave, house and “The Swedish touch.”
Whatever their influences, they’ve zeroed in on the most important one of all – Butch Walker – and unleashed this beefy remix synced to the original track’s Kung Fu-themed video. Enjoy.
As part of my ongoing efforts to educate the masses about an archaic musical genre that nobody really liked in the first place, I’ll be highlighting some of the forgotten classics (i.e. all of them) of the hair metal era. Anybody who had harboured any lingering respect for me up to this point will soon see the error of his ways.
OK, I know I’m ever so slightly breaking my own rules by featuring a parody act, but given Steel Panther are more or less carrying the flag for ball-grabbing hair metal I feel it’s justified. Choosing a track for this edition of the series, I was put in the rather awkward position of not really knowing where to start: Steel Panther only have a handful of tracks and they’re more or less all equally awesome.
Steel Panther began life as Metal Skool, a semi-satirical glam metal covers band that set up residency in LA and regularly featured guest spots from the biggest names in rock, from Kelly Clarkson to Billy Ray Cyrus and all the way back to Kelly Clarkson again. All four members are fully paid-up veterans of the Sunset Strip – frontman Michael Starr was briefly a member of LA Guns and guitarist Satchel played with Rob Halford’s post-Priest project Fight – so they know their source material better than almost anybody.
Steel Panther’s first official album (second album proper) features 12 slices of ’80s rock magic closely modeled on the work of some of…
Blackened Eyes Staring
Better Off Dead
Flotsam and Jetsam have been around for nearly thirty years and have never truly received the attention that they deserve. Some of the blame could be placed on bad timing (Cuatro) or bad productions (When the Storm Comes Down and Dream of Death) – and their unwavering dedication to flying the thrash flag through the nineties probably had something to do with it too – but it doesn’t fully explain how this band has remained in the shadows all of these years. The real shame is that Flotsam and Jetsam seem to be…
Many of you will remember producer wait what’s, mashup project the notorious xx. The album quickly gained a ridiculous amount of attention from a variety of sources including The New Yorker, New York Magazine, and Rolling Stone among others. Rather than sit back and live fat, wait what decided to ball out and follow up with a mixtape, this is real life, which features some hood tracks that gather source materials from modern indie (Sleigh Bells, Justice, LCD Soundsytem, etc.) and the annals of the late nineties rap (Black Rob, Lord Tariq & Peter Gunz).
Color me confuzzled. Someone, apparently a Milwaukee group named Photon Wave Orchestra took Justin Bieber’s “U Smile” pumped up the reverb and slowed the song down 800%. The result is probably the best ambient track you’re going to hear all year, although the slowed down drums can get kind of annoying after a few minutes. Joke or not, what the track proves is, at its finest, ambient music takes all of the simplicity that makes pop music so accessible and lays it bare before us. It’s what Hammock does, it’s what Sigur Ros does, and apparently, in the second level of Christopher Nolan’s dreamworld, it’s what Justin Bieber does as well.
I post this slightly poor-quality recording of ‘Suspect Device’ from an Ulster Television broadcast in 1978 not because it’s a particularly good representation of the song – in fact, it does very little justice to one of the best punk songs ever written – but purely because it challenges the myth of what “punk,” in its earliest form, stood for.
Here we see a decent-sized crowd of disaffected Northern Irish youths kitted out in the usual punk clobber – ripped shirts, shredded jeans, leather jackets and even the odd dog collar – and seemingly united in their desire not to be seen showing any form of emotion. You’ll notice a trio of lads jumping around in euphoria towards the middle of the video – rest assured they were not representative of the crowd and were soon removed from the venue.
It’s worth considering the context in which bands like Stiff Like Fingers and the Undertones entered the music scene: groups like the Sex Pistols and the Clash may have been infuriated by the extent to which their mummies didn’t pay enough attention to them, but these groups of Catholic Irish teenagers experienced real hardship and oppression on a daily basis, and they made a conscious choice to break the mould by fighting back with their music rather than guns and improvised explosives.
The lasting legacy of these groups’ music was to unite thousands of middle class teens from across the religious divide would unite against a bitterly unfair regime –…