The second full-length record from French metallic noise rockers Sofy Major, Idolize, is a testament to the trio’s perseverance. On October 29th, hurricane Sandy destroyed the Brooklyn studio in which the outfit was going to track, annihilating all the recording equipment and instruments. After a couple of days they luckily managed to start recording with the invaluable help of producer Andrew Schneider and Dave Curran of Unsane’s fame. The result is an aptly furious endeavour that encapsulates the feeling of powerlessness really well. Full of pummeling bass lines, dense drumming and sludgy riffs, this record is at once unabashedly groovy and punishing, showcasing the trio’s knack for crafting off-kilter noise rock that doesn’t steer clear of unexpected flourishes. Idolize is streaming over at Sofy Major’s bandcamp page.
‘Cranley Gardens’ by Church of Misery (taken from their upcoming album Thy Kingdom Scum)
Church of Misery have been through a lot since originally forming back in 1995. The band was founded by Tatsu Mikami (bass guitar) after the breakup of his thrash metal band, Salem. He wanted to do something that reflected his other musical inspirations – doom metal and doom rock. Apart from metal and thrash, he was strongly influenced by doom bands like Saint Vitus, Black Sabbath and became aware that his own riffs had started to include doom vibes. Also, he was very much into late 60’s/early 70’s heavy rock material like Leaf Hound, November, and Blue Oyster Cult. It was natural for him to shift his musical direction from metal to a more rock-influenced style. It wasn’t until 2001, though, that they finally released their first full length album, Master Of Brutality, via Southern Lord Recording. Since that time, they have released two more full-length albums and have continued to captivate audience with their self-proclaimed murder doom — and they’re finally about to release their fourth, Thy Kingdom Scum.
For your listening pleasure, Sputnik Music is proud to premiere the song ‘Cranley Gardens’ from that album. The band’s fourth album, Thy Kingdom…
From May 11 until May 18, Sputnikmusic has the exclusive chance to stream Enshine’s debut album Origin, which will be released on May 15 via Rain Without End Records.
Enshine is an atmospheric metal project that got its start in 2009 under the hand of Jari Lindholm (guitars, ex-Slumber, Atoma). Soon enough he teamed up with Sebastien Pierre (vocals) of Fractal Gates and Inborn Suffering fame, with Oscar Borgenstam (drums) and Siavosh Bigonah (bass) completing the recording line-up. Origin was over two years in the making and the production of the album was finished in the summer of 2012. After that, the band started searching for a label and finally teamed up with Rain Without End Records in December 2012.
With their debut album, Enshine present the listener a charming atmospheric metal journey full of lovely melodies and brisk ambient soundscapes. The album sounds like a perfect mix between Pierre’s Fractal Gates (melodic death metal) and Lindholm’s ex-band Atoma (atmospheric metal), as an airy and meditative atmosphere collides with tasteful melodic riffs. “A musical exploration of the world within” is the tagline the album is being promoted with, and it couldn’t be more accurate, as Origin is a metal album for the thinking man.
The stream has ended!
Enshine’s facebook: https://www.facebook.com/enshine.band
Sputnik’s review of Origin: http://www.sputnikmusic.com/review/56643/Enshine-Origin/
1. Clutch – The Face (taken from Earth Rocker)
2. KEN mode – The Terror Pulse (taken from Entrench)
3. Coliseum – Black Magic Punks (taken from Sister Faith)
4. Blaak Heat Shujaa – Pelham Blue (taken from The Edge Of An Era)
5. Loading Data – So High (taken from Double Disco Animal Style)
6. Audrey Horne – The Open Sea (taken from Youngblood)
7. Alice Smith – Cabaret (taken from She)
8. Laura Mvula – Make Me Lovely (from Sing To The Moon)
9. John Grant – Pale Green Ghosts (taken from Pale Green Ghosts)
10. The Knife – A Tooth For An Eye (taken from Shaking The Habitual)
11. Flat Earth Society – Experiments In The Revival Of Organisms (taken from 13)
12. The Body – The Ebb and Flow of Tides in a Sea of Ash (taken from Master, We Perish)
13. Pissed Jeans – Cafeteria Food (taken from Honeys)
14. Beastwars – Realms (taken from Blood Becomes Fire)
15. Batillus – Concrete (taken from Concrete Sustain)
16. Deville – Burning Towers (taken from Hydra)
17. Intronaut – The Welding (taken from Habitual Levitations)
18. Hookworms – Form And Function (taken from Pearl Mystic)
19. Purson – Leaning On A Bear (taken from The Circle And The Blue Door)
20. Pinnick Gales Pridgen – Lascivious (taken from Pinnick Gales Pridgen)
21. Kylesa –…
Moombahton. First off, it’s an actual genre. Second off, when it’s done, damn is it done well. It’s hard to put into words exactly what moombahton is, but here goes: around 108 BPM, an off-shoot of electro, and as Dillon Francis puts it, “music to fuck to.” Take that how you will.
But “Que Que” is by far the most solid moombahton track I’ve heard yet. It’s a solid mix of keen vocal sampling, varietal instrumentation and irresistible percussive work. Ultimately, though, it was most likely made for sexual purposes, so act on that. Don’t even be careful– just go for what you’re thinking.
Sadistik – Flowers For My Father (2013, Fake Four Records)
In conjunction with Fake Four Records, Sputnik Music is proud to present an exclusive stream of the upcoming sophomore LP from Seattle rapper Sadistik. Flowers For My Father is due for release on Fake Four Records this Tuesday, February 19th in the US. Sputnik’s recently featured review can be found here: Sobhi Youssef’s Review.
Flowers For My Father marks Sadistik’s first solo album since his 2008 debut, The Balancing Act, and charts his growth in spades. Evolving his style to a more synthesized rendition of a signature cinematic Seattle sound, the new album displays a distinct combination of Sadistik’s complex, vulnerable writing with textured, ambient production handled by the likes of Blue Sky Black Death and Kno of CunninLynguists. Featured guest performances from indie hip hop heroes such as Cage, Deacon The Villain, Astronautalis & more result in his most developed, mature and revealing project to date.
Shortly after the release of The Balancing Act, Sadistik’s father tragically passed. Never one to shy away from heavy topics or keep his personal life personal, Sadistik wrote this album for his late father, choosing to treat each song as an update of what has happened in his life since. This is reflected in writing which delves into depression, romance, heartbreak, optimism and the struggle to make sense of the ever-shifting pieces in the world around him.
Flowers For My Father can be purchased at:…
CityCop and Les Doux are two bands that have been making names for themselves in the post-hardcore/emo scene, each releasing a handful of material that has been very well received. And rightfully so, as each band employs a chaotic yet cathartic brand of hardcore that draws inspiration from various acts such as Touche Amore and Pianos Become the Teeth. While both bands differ very much in regards to their inherent sounds, teaming up for the Family Ties/Labors of Love split feels fitting. The result is a varied, yet wholly wonderful combination of two truly talented bands. Luckily, we have an official stream of the split for you to enjoy!
Soilwork – Spectrum of Eternity
Soilwork will be releasing their latest album, The Living Infinite, on February 27 in Asia (via license to Marquee Records), in Europe on March 1, and in North America on March 5 through Nuclear Blast Records. Holy shit, is the first thing that comes to mind. It’s a double album and the first single is actually really good. Is there hope for this band? You decide.
Veronika’s promotional material calls her music “atmospheric space pop with dark electro vibes, symphonic overtones and a truly haunting voice… A dream-like fantasy, ambient light shows and an electrifying, sexually charged stage presence. In developing her own ethereal but edgy identity, Vesper has drawn on the left-field character of Björk, Depeche Mode, Radiohead and David Bowie, to name a few. Visually, her style calls on designers such as Alexander McQueen, Vera Wang and Versace.” Admittedly, I’ve only heard the song from this video, but it seems to be pretty accurate.
Veronika Vesper became a classically trained musician at a very young age — even touring as first flutist for a symphony orchestra when she was still in her teens. She eventually became more interested in electronic music and started to develop her singing voice, as well. The end result is the song ‘Bleeding Desert’. This is just the beginning for Veronika Vesper as she is currently working on her debut album with multi-platinum selling songwriter Martin Sutton and producer Venom One.
Nomadism is the singer/songwriter project of Jeet Mukerji, whose music blends tense electronics and guitars with a dark reason reminiscent of Different Class-era Pulp. Harbouring a slight post-punk lilt and closing with the brilliant “Romance and Violence”, this Soundcloud set is a thoroughly compelling twenty-five minutes of songcraft.
Just a few hours ago, Sesame Street’s official YouTube channel posted a video of Cookie Monster spoofing Carly Rae Jepsen’s “Call Me Maybe”.
Weeks ago, I couldn’t tell you a thing about her or that song other than that I’d hear it at least 42 times a night, no thanks to the TouchTunes machine that the bar I work at has.
I’ve heard various rumors about the track (e.g. “The guy she gives her number to is actually gay and she doesn’t realize it” has been my personal favorite so far), but there’s no denying that it has all the required pop sensibilities necessary to be a catchy summer pop hit.
However, what confused me at first is that it was Cookie Monster covering the song. Mercifully, I don’t have kids, so I’m a little out of the loop when it comes to all things en vogue with the kids these days (did Dora ever find Diego?), but didn’t Cookie Monster turn into a dieting aficionado and become the Veggie Monster?
I never understood that image, anyway. If he became the Veggie Monster, why is there fruit on his table? I digress.
So, despite Jepsen being Canadian, Cookie Monster has, in true American tradition, kicked his diet, serving as the poster monster for embracing childhood obesity.
(I keed, I keed.)
Enjoy the track below:
2) Hiding ft. John Andrews (Loudboy)
3) Say No More
4) Don’t Let it Bring You Down
5) Sycamore Trees
Most people that frequent this site know that Sarah Fimm is an artist that just never seems to quit. She has explored everything from minimalist trip-hop to full band-oriented, 70s inspired alt.…
When the moon hits your eye like a big pizza pie… Balotelli. Mad Mario has finally shown up at Euro 2012, and with a tired Spanish side stumbling past Portugal in the semis, the scandal-hit Italians are in the unlikely position of once again (after 1982 and 2006) facing the prospect of winning one of football’s two biggest prizes against the backdrop of widespread corruption in the domestic game. Vicente Del Bosque, on the other hand, is stubbornly sticking to his 4-6-0 system, overlooking both the best (Torres) and form (Llorente) strikers in Europe.
I really can’t be bothered adding music to this, since both countries are kind of crap at it, so here are links to Nick Butler’s pieces on the respective countries’ musical histories from the last World Cup:
In New York City’s Grand Central Station, right outside the Grand Central Oyster Bar & Restaurant, the underpass possesses a peculiar charm. At this particular location, four archways of resplendent Guastavino tile provide a unique listening opportunity, especially after midnight, when foot traffic is at its lowest. Stand at one corner of the underpass, and have someone in your traveling party stand at the opposite corner, which is about thirty feet or so away from you. Step so that your face is within inches of the walls and begin whispering. Whisper something, anything, and sit in silence for a few moments. If your compatriot plays along, you’ll hear him/her reply clear as day, as if he/she is standing right next to you.
The so-called whispering gallery (Grand Central Station isn’t unique to having one; it’s just my personal favorite since I don’t foresee me dropping in on St. Paul’s Cathedral in London anytime soon, and the effect at Chicago’s Museum of Science and Industry isn’t as impressive) is a delightful phenomenon. Hearing the whispers seemingly shoot off the walls and traverse the concave ceiling is a haunting, alluring effect, which brings us to our tracks of the day.
We last heard from Digital Daggers in 2010 with their debut EP, Human Emotion. It was an auspicious debut, with soothing, gorgeous instrumentation complemented by mollifying, radiant vocal melodies. Throughout the new record, entitled The Devil Within, multi-layered vocals and effect-laden guitars filter in and out of each channel,…