Indie stars The xx seem to be taking it easy these days, but the same can’t be said of their beatsmith extraordinaire, Jamie Smith, who runs around with the under the name of Jamie xx these days. Apart from his prolific remix work, Smith is set to drop I’m New Here on February 22, which features reworkings of some choice cuts from soul master Gil Scott-Heron, dunked in a ripe dose of xx production. Snippets of the upcoming album can be found all across the net, but the latest track to drop now comes with it’s very own pink rectangular block as a visual aide. Slick, just like the song.
It’s either that I get distracted way too easily by shiny things, or it’s the mofukin’ latest video clip for Daft Punk’s Derezzed that just so happens to double for a TRON: Legacy trailer that’s got me hot and bothered right now. Either way, I’m getting my electronic on.
Click it. Load it. Check it.
James Blake is unstoppable. It’s gone beyond the point where everything he touches turns to gold… the man invents new elements to turn things into in the first place. Including this: a cover of Feist’s The Limit To Your Love, set to be the first single of his upcoming EP (yes, another one) and hot off the heels of the dazzling Klavierwerke EP. By now, he’s so far from his roots in dubstep that’s it’s only just perceptible in the deep sub bass horizon that takes this song – vocals and all – to a level I didn’t even know existed.
Directed by Martin de Thurah
Here’s the deal: Sputnikresident Keelan’s review of Sufjan Stevens’ The Age of Adz is really fucking good. I mean like, really, really fucking good. So much so that I had to write something back at him. But before that I really need to point out that Keelan is the most profound writer on this site, someone who actually takes the time to think through what he’s writing before spilling his digital ink, and anyone else looking to figure out how to do this whole writing reviews thing should read his stuff. Secondly, this is also a roundabout response (not quite review!) to The Age of Adz itself, which is probably one of this years most bewildering records, which, for better or worse, I’d like to share some thoughts on. So with the stream of consciousness button firmly pressed down into my head, let’s keep going!
Let me get this out of the way: The Age of Adz is the mirror image reversal of M.I.A’s /\/\/\Y/\. Calm down. Now, I like /\/\/\Y/\. I wrote an over the top review saying as much. I don’t like The Age Of Adz. Let me flesh this out – Perhaps the most striking resemblance between /\/\/\Y/\ and The Age of Adz is their sheer reliance on affect, with the barest minimum tying it all together: Melodies and sounds will sweep in out of nowhere; for Sufjan, this means fleeting strings and choral lines; for M.I.A. this means glitchy spasms of synth squelches…
There’s a sweet spot in my heart for this Sydney four piece – not only do they craft some of the best alt-pop tunes I know, but they do it with a lush grandeur that so few others ever have. On the back of their brilliant and shimmering Dark Strom EP, released yesterday, here’s Mace Spray the first single to be released:
The Jezabels – Mace Spray:
And just for kicks, and because it’s pretty, here’s the official video for Hurt Me from their second EP:
Hows about them drums hey?
Remember the last time a couple of tracks rocked as hard as Broken Social Scene channeling Black Francis via Dinosaur Jr with a detour past the Japandroids? We do, and it was right about every time we spun the red hot singles from PS I Love You’s upcoming debut Meet Me At The Muster Station (Paper Bag), set to drop on Oct 5th. Fuzzy, fun and wild eye’d, here’s a taste of some Facelove with a hint of 2012 thrown in just for kicks:
PS I Love You – Facelove:
PS I Love You – 2012: