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Last month, Pantha Du Prince released “Stick to My Side”, a collaboration with Noah Lennox (Panda Bear) of Animal Collective, as a single. The song comes from his superb February release Black Noise. With the single came five remixes, two of which are posted here. The former is a Four Tet remix, which brings the song closer to a dancefloor jam a la “Love Cry” with enhanced bass and synths. The second takes a completely different spin on the song and makes it more of an Explosions in the Sky cum Toro y Moi affair, emphasizing the hidden guitar riff in the song and altering Panda Bear’s vocals with heavy delay and modulation. Both are excellent interpretations of an already great song.

Stick To My Side (Four Tet Version) by Pantha du Prince

Daníel Bjaranson is the Icelandic artist behind Icelandic music.  The guy who conducted the choir in Sigur Ros’ “Ara Batur”?  Bjarnason. The guy who conducts the Iceland Symphony Orchestra?  Bjarnason.  Although overshadowed by Nico Muhly on the Bedroom Community record label, Bjarnason is a leading musical figure in the circles that know him.  In February of 2010, Bjarnason released a record entitled Processions, featuring three of his compositions.  The first composition, Bow to String, is a three movement suite for multi-tracked cello, and its opening movement is a fiery rage of uneven time signatures, rapid melodies, and driving percussion from the bow of the cello. Check out Processions immediately.

Of the major music festivals in the United States, tickets to Austin’s South by Southwest festival are by far the most expensive.  Still, in the “world capital of live music”, Austin brings in more groups than any festival in the country, likely in the world.  As your average citizen, I did not have the money for a SXSW wristband or badge, but during the time of SXSW, many unofficial, free shows take place all around the city.

In three days, I managed to see 26 different artists at countless different venues.  Instead of writing a full feature profiling every performance I saw, I decided to forego some of the tediousness of a 26-band review of my experience and simply give some highlights of the festival.

Minus the Bear:  Starting from the end, Minus the Bear were the very last group I saw, going on just before midnight on Saturday night at Mellow Johnny’s Bike Shop.  The show had two purposes—a promotion of Dangerbird Records artists and a benefit for the Pablove Foundation, a fundraising organization for children’s cancer research.  Clearly, everyone in the crowd that night had been waiting to see Minus the Bear, and the anticipation was high.  Audience members told Dangerbird Records CEO and founder of the Pablove Foundation Jeff Castelaz to “shut the fuck up” so Minus the Bear could play.  Castelaz made them feel like dicks after he explained how he founded the Pablove Foundation after his child, Pablo, died of cancer at age 6.


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