matt berninger is heavily in debt
Well, since today is officially The National day, lets celebrate by recognizing one of the best tracks off High Violet. If you haven’t heard this yet, well, there’s little hope for you, but here’s “Bloodbuzz Ohio,” High Violet’s answer to “Mr. November.” Slightly subtler but no less nostalgically optimistic, “Bloodbuzz Ohio” serves as High Violet’s centerpiece, a middle of the album anthem that stands easily as the most single-ready song. Sure, most of you know this already and this might be redundant, but if you’re a National skeptic and don’t really know if you want to take the time to listen to what could easily be the indie rock record of 2010 (aka chambered89), give this song a shot then head on over to the stream going on at The New York Times and become a cool human being.
mmm paranoia flavored tea
Why yes, that is the Talking Heads you’re hearing aped on James Murphy’s “One Touch” off his upcoming juggernaut This Is Happening. Doesn’t really matter though, does it? Murphy’s Byrne-esque monotone and quasi political lyrics (“People who need people to the back of the bus”) slide effortlessly over polyrhythmic percussion and tense competing synths to create a seriously slick tune. Won’t tell you much more than this, but here’s a thought: on an album filled with jams that threaten to rule your summer, this here’s the front-runner.
One Touch is Never Enough
Alright, so I guess the “rule” for song of the day is that the song has to be upcoming or just released, but shit, have you guys heard “Seeds”? Much hullaballoo was made when “Colouring of Pigeons” dropped in anticipation of The Knife’s Darwinian Electo-opera, Tomorrow, In a Year, but the critical reception to the project has been mixed. You don’t need me to tell you again how I think the naysayers are wrong and that this is one of the most forward thinking releases of our generation, but I do want to call your attention to the best song off the project, “Seeds.”
This hyperelectronic house jam is the most “Knife-ish” thing off Tomorrow, In a Year, but that’s not why it’s the best track. “Seeds” is a slow burning tune that marks the climax of Tomorrow, In a Year: the project. It morphs slowly over time, rocking an 808 beat and yes, opera vocals. Remember that scene in The Fifth Element with the blue chick? This is kind of like that. I’m not gonna give anymore away- you guys should really just get the whole thing and don’t be a pussy about it- but yeah, “Seeds.”
The Knife- Seeds
As if a song from a guy named Gonjasufi could sound like anything else. Today’s song of the day is a hazy, stoner friendly trip hop track off Gonjasufi’s latest release, “A Sufi and a Killer.” The track, “Ancestors,” is one of the tops off the album, a hypnotic, mysteriously ominous prayer catering to Gonjasufi’s weirdly desperate voice. Produced by Flying Lotus, this shit’s pretty fuckin good. Toke UP.
Two years ago, I accepted a promotional album called ‘Ascendant’ from a guy named Mark Northfield. At the time, I didn’t think too much of it. I receive promos all the time, and while this one was certainly more enjoyable than most, I am ashamed to admit I basically dismissed it. I shirked giving it a (deserved) full scale review, instead giving it a cheeky soundoff based off a misguided first impression and not thinking much of it.
But in doing this, I short changed the album’s depth. ‘Ascendant’ has been an album I’ve come back to quite regularly over the past two years, and in doing so, I’ve discovered a deep, intricate album. Northfield’s sound is familiar, but not quite like anything I’ve encountered before. ‘Ascendant’ is jazzy, classy, intimate; like its set in a smokey bar where you’re the only one reeeeally listening. Northfield’s cast of friends brings a vaudevillian charm to each track, realizing a world that romanticizes theatricality, the 19th century brilliantly recaptured.
Northfield, I assume, frequents this site, as he has in the past cited on his Myspace my soundoff and the fact I placed his album (probably too low) on my top 100 albums of the decade. I hope he comes across this blog post and accepts this apology. I feel as though I’ve shortchanged him for far too long. I hope to get in a full review of ‘Ascendant’ this month. Maybe too little too late, but better late than never.
Mmm drunk women
Alright guys, I really have no idea about this one. Is it good? Is it bad? There are times when I think both. Gaggle is a British “choir” of women (trust me, it’s not what you’re thinking), “I Hear Flies” a catchy single that is either perfect for pregaming or an earworm hook comparable to the spice girls if they were angry drunk bitches (hence the title). Listen to those cockney accents hypnotically shouting over dubstep beats… mmmmmmmm………
Leave your opinion, help me figure this out.
Gaggle- I Hear Flies