Critics everywhere have been bemoaning the downward spiral of trap for a while now, ever since that horrible realization that (gasp!) ninety-plus percent of songs in the genre consisted of nothing more than an annoying upper-register siren-esque synth and some tonic-based 808s. Sure, you have the standard claim that Hudson Mohawke, Rustie, and Lunice are all doing really interesting things with trap’s quintessential bounce, adding wonky melodies and twisting hi-hat attacks to the point of unrecognizability, but none of them has really been all that exciting recently — the nail in the coffin of the holy trinity being Rustie’s decent but wholly uninspiring Green Language. The unfortunate part of all this, of course, is that the generally derided Baauer is actually making some of the best music in the genre nowadays, yet he’s unfortunately ignored thanks to the overexposure of “Harlem Shake.” The stellar pump-up of “Infinite Daps” and the this-is-what-Green-Language-should-have-been “Clang” are testaments to his creative and technical skill, but unfortunately his music has been tossed to the wayside in favor of the newly-sprung Jersey Club fascination.
His latest EP β doesn’t unfortunately reflect his skill with singles, save for the stellar lead track “One Touch,” featuring the vocal talents of Aluna Francis and the brothers in Rae Sremmurd. What really makes the song click is the perfect interaction between each of its elements — the wonderfully spare offbeat shaker and the the watery bass play off each other gorgeously under Francis’ mouse-like croon. Despite the problematic nature of some of Rae Sremmurd’s lines (it’s tough to take a line like “I beat that pussy up, left the girl on crutches” without shuddering), the duo’s heavily-affected live-wire flow also complement the nasally lead synth plucks very well stylistically. Though β doesn’t quite follow through on the promise of its lead single, “One Touch” is a great representation of trap in late 2014, laced through with threads of pop and fixed to the ground with an absolutely killer beat.
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IS NEVER ENOUGH
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