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Is Old Man Luedecke leading a banjo revolution? Probably not. But his latest album rules.

Regarding their late 2009 release Sigh No More, our own DaveyBoy suggested that Britain’s Mumford & Sons were, “delivering folk – and the banjo – to the masses.” While Mumford & Sons do employ the use of a banjo, they do so on an almost superficial level. On “Little Lion Man”, Sigh No More’s obvious standout, the banjo is used as little more than a reaction to the guitar. It always sounds nice and it always works but it’s never the focus.

The banjo is definitely Old Man Luedecke’s focus. He’s a “banjo revivalist” based out of Canada’s east coast. I could lazily compare his music to The Tallest Man on Earth and I just did. Maybe now you’ll listen.

On My Hands Are On Fire and Other Love Songs, his latest release, Old Man Luedecke (née Chris) enlists the help of a guitarist, bassist and fiddler (he-he) but more often than not the emphasis is on his words and his banjo.

“Foreign Tongue”, which you’ll hear below, is a prime example of how Luedecke does more with less. A uniquely written song, “Foreign Tongue” evolves from a love song about a distant, unfulfilled love into the desperate plea of a shy and nervous man who’s clearly convinced himself of a love only he’s aware of. Its 21st Century ambiguity makes it all the more anachronistic to the music and implicitly creepy. And for that I love it. Read the lyrics, found below, while you listen.

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I’m an honest man, I’ve held my tongue.
I’ve watched the morons mingle and get the job half done

Never been to the top
No, I never even tried
My principles and shyness have kept my hands tied

When I see you dear I lose my breath
My silence and surrender dies a hundred deaths

I need the taste of your foreign tongue
I want first base, I want home runs

I never held you but I don’t mind trying
Sometimes silence is the same as lying

Oh Surrey girl I love your rain
To win your love I’d walk from Main
I hear you speak, I lose my cool
You’ll never say “can’t we just be friends”
You’ll feel my love when I hit send

Don’t let me scare you
Don’t you be alarmed
There’s nothing in this heart ever do you any harm
We cannot fail, we must be bold
We’ll love these days I promise when we get old
Oh come on love, there’s no use crying
Denying this love would just be lying





Tyler
05.06.10
Expect a review of his album in the next few days. It'll probably be a 4.5/5. Most of his songs aren't as lyrically creepy as this one they're not as accessible, either.

plane
05.06.10
Creepy? I love the interludes between verses, especially with the fiddler.

Tyler
05.06.10
The evolution from the first to the last verse is creepy. It goes from him being like "oh I like you, I'm going to stop being shy and send you a message" to "don't scared, don't cry, i'll never hurt you".

tombits
05.06.10
I like this, but his voice seems a bit bland. Still, very interesting, and I'll check out the album.

Tyler
05.06.10
guess i was right when i figured a bunch of metalheads and "indie rockers" wouldn't be interested in a banjo player, even if he is basically a better version of Tallest Man on Earth

Iai
05.07.10
I work with a guy that everybody calls Old Man Ludicke. Weird.

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