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Peter Green

Peter Green is regarded by some fans as the greatest white blues guitarist ever, Eric Clapton notwithstanding. Born PeterGreenbaum but calling himself Peter Green by age 15, he grew up in London's working-class East End. Green's early musicalinfluences were Hank Marvin of the Shadows, Muddy Waters, B.B. King, Freddie King, and traditional Jewish music. Heoriginally played bass before being invited in 1966 by keyboardist Peter Bardens to play lead in the Peter B's, whose drummerwas a lanky chap named Mick Fleetwood. The 19-year-old Green was with Bardens just three months before joining Jo ...read more

Peter Green is regarded by some fans as the greatest white blues guitarist ever, Eric Clapton notwithstanding. Born PeterGreenbaum but calling himself Peter Green by age 15, he grew up in London's working-class East End. Green's early musicalinfluences were Hank Marvin of the Shadows, Muddy Waters, B.B. King, Freddie King, and traditional Jewish music. Heoriginally played bass before being invited in 1966 by keyboardist Peter Bardens to play lead in the Peter B's, whose drummerwas a lanky chap named Mick Fleetwood. The 19-year-old Green was with Bardens just three months before joining JohnMayall's Bluesbreakers, whose rapidly shifting personnel included bassist John McVie and drummer Aynsley Dunbar. A keen fanof Clapton, Green badgered Mayall to give him a chance when the Bluesbreakers guitarist split for an indefinite vacation inGreece. Green sounded great and, as Mayall recalls, was not amused when Clapton returned after a handful of gigs, andGreen was out.

When Clapton left the band for good six months later to form Cream, Mayall cajoled Green back. Fans were openly hostilebecause Green was not God, although they appreciated Clapton's replacement in time. Producer Mike Vernon was aghastwhen the Bluesbreakers showed up without Clapton to record the album A Hard Road in late 1966, but was won over byGreen's playing. On many tracks you'd be hard-pressed to tell it wasn't Clapton playing. With an eerie Green instrumentalcalled "The Supernatural," he demonstrated the beginning of his trademark fluid, haunting style so reminiscent of B.B. King.

When Green left Mayall in 1967, he took McVie and Fleetwood to found Peter Green's Fleetwood Mac. Jeremy Spencer andDanny Kirwan shortly afterward gave Fleetwood Mac an unusual three-guitar front line. Green was at his peak for the albumsMr. Wonderful, English Rose, Then Play On, and a live Boston Tea Party recording. His instrumental "Albatross" was the band'sfirst British number one single and "Black Magic Woman" was later a huge hit for Carlos Santana. But Green had beenexperimenting with acid and his behavior became increasingly irrational, especially after he disappeared for three days oframpant drug use in Munich. He became very religious, appearing on-stage wearing crucifixes and flowing robes. Hisbandmates resisted Green's suggestion to donate most of their money to charity, and he left in mid-1970 after writing aharrowing biographical tune called "The Green Manalishi..

After a bitter, rambling solo album called The End of the Game, Green saddened fans when he hung up his guitar, except forhelping the Mac complete a tour when Spencer suddenly joined the Children of God in Los Angeles and quit the band. Green'schaotic odyssey of almost a decade included rumors that he was a gravedigger, a bartender in Cornwall, a hospital orderly,and a member of an Israeli commune. When an accountant sent him an unwanted royalty check, Green confronted histormentor with a gun, although it was unloaded. Green went to jail briefly before being transferred to an asylum.

Green emerged in the late '70s and early '80s with albums In the Skies, Little Dreamer, White Sky, and Kolors, featuring attimes Bardens, Robin Trower drummer Reg Isidore, and Fairport Convention drummer Dave Mattacks. He reprised the ThenPlay On Mac standard "Rattlesnake Shake" on Fleetwood's solo 1981 album, The Visitor. British author Martin Celmins wroteGreen's biography in 1995. Psychologically troubled, on medication, and hardly playing the guitar for most of the '90s, thereclusive Green resumed sporadic recording in the second half of the decade. He surfaces unexpectedly from time to time,most prominently January 12, 1998, when Fleetwood Mac was inducted into the Rock & Roll Hall of Fame. In a rare, perfectmoment, Green jammed with fellow inductee Santana on "Black Magic Woman." « hide

Similar Bands: John Mayall, Fleetwood Mac, Gary Moore

LPs
White Sky
1982

Whatcha Gonna Do?
1981

Little Dreamer
1980

In the Skies
1979

4
3 Votes
The End of the Game
1970

4.2
9 Votes
Compilations
Green & Guitar: The Best Of
1996

3
1 Votes
Kolors
1983


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