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10-09 Pelican stream new album
09-23 Another New Pelican Track
09-02 Pelican re-release debut via "
08-15 Pelican post new song
07-10 New Pelican album

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Pelican

It seems fitting, upon listening to Pelican's music, that the band hails from Chicago. When Tortoise and their contemporaries ushered in a new wave of instrumental music over a decade ago it was a pastiche of genre-defying sound, simultaneously cohesive and expansive in influence. Similarly, Pelican's songs touch on so muchfrom the canon of rock music. Never content to remain static over the course of their almost decade long career, 2009 finds Pelican has shifted gears once again. This year sees them on a new label, Southern Lord — a label helmed by Greg Anderson, whose own axe conjurat ...read more

It seems fitting, upon listening to Pelican's music, that the band hails from Chicago. When Tortoise and their contemporaries ushered in a new wave of instrumental music over a decade ago it was a pastiche of genre-defying sound, simultaneously cohesive and expansive in influence. Similarly, Pelican's songs touch on so muchfrom the canon of rock music. Never content to remain static over the course of their almost decade long career, 2009 finds Pelican has shifted gears once again. This year sees them on a new label, Southern Lord — a label helmed by Greg Anderson, whose own axe conjurations in SUNN, Goatsnake and Engine Kid have longbeen admired by the Pelican camp – and presenting a new full length. What We All Come To Need is Pelican through and through and the apex of their creative aspirations. It is the album that straddles most confidently the fine line between adherence to roots and the mining of the unexplored.

When the quartet's first full length, Australasia, came out in late 2003, it was an experiment in crushing heaviness, albeit melodic and compositionally complex that set them apart from their contemporaries. The songs excelled in exploring layers: where there were glacier-thick walls of guitars, there were also shifts and nuances that gave the songs room to breathe. These nuances became even more pronounced on Pelican's 2005 sophomore album, The Fire in our Throats Will Beckon the Thaw. Pegged early on as a “metal” band, it was with this second full length that it became apparent that this label was an oversimplification as the group had more in common with Slint and Hum than Slayer. With 2007’sCity of Echoes yet another step in Pelican's evolution was unveiled. This new album showcased urgency, more twists andunexpected turns; songs with more of a lyrical feel. And as evidenced by the post-DC-punk influenced title track, the band's disparate influences were presented with increasing clarity as guitar dynamics and rhythmic interplay came out from behind the wall of sound that were evident on previous recordings. With shorter songs and a pronounced live feel, City of Echoes was an ode to the road: a musical manifesto to pile into a van and travel for months at a time—something they had done relentlessly.

Ephemeral, a three-song teaser EP released in early 2009, paved the way for thenew full length. Trevor deBrauw reckons the band was once again at the mercy of “the riff” … how Pelicancould be more riff-orientedthan they had evidenced on each of their previous albums is hard to imagine, but itshould be noted thatDylan Carlson, of Earth fame, lent the band a hand in re. creating an Earth songfrom their first 7”. And thatspeaks volumes as to what those “riffs” would continue to be like … beautifullyheavy.

In July 2009 Pelican ventured to Seattle to lay down a new album with ChrisCommon, who has helmedrecords for a variety of bands, from Minus The Bear to These Arms Are Snakes.Eight songs were recordedover three weeks at Robert Lange, Red Room Studios, and Elektrokitty. Beautifullyheavy results? You bet. Aspunishing as it is calming, What We All Come To Need is Pelican at their mostinspired and sonically adept,delivering 50 minutes of weighty riffs and textured progressions in momentoussuccession. This isn’tmaturation as much as it is confidence and purpose, and the latter are stamped onevery note. GregAnderson, Aaron Turner (ISIS), Allen Epley (Life And Times), as well as Ben Verellen(Helms Alee) guested,lending the record organic diversity.

Fall 2009 will see Pelican presenting their new album in the live setting once again,first with a full U.S. tourscheduled to start late October. They will be joined, among others, by Disappearerand Black Cobra, the latterof which also sees a fall release for their new album on Southern Lord. http://www.hydrahead.com/pelican/ « hide

Similar Bands: Squat Club, Cult of Luna, Toundra, Khanate, Red Sparowes

LPs
Forever Becoming
10/15/2013

3.7
118 Votes
What We All Come To Need
2009

3.5
344 Votes
City of Echoes
2007

3.4
476 Votes
The Fire in Our Throats Will Beckon...
2005

4
764 Votes
Australasia
2003

3.9
520 Votes
EPs
Deny the Absolute/The Truce
08/01/2013

3.5
11 Votes
Ataraxia/Taraxis
04/10/2012

3.4
98 Votes
Young Widows/Pelican Split LP
2009

3
14 Votes
Ephemeral
2009

3.7
96 Votes
Pelican/These Arms are Snakes
2008

2.9
4 Votes
Pink Mammoth
2007

3.2
30 Votes
March Into the Sea
2005

3.9
146 Votes
Pelican
2001

3.7
138 Votes
Live Albums
After the Ceiling Cracked
2008

3.5
10 Votes
Live in Chicago 06/11/03
2005

3
2 Votes

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