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08-18 Glenn Danzig covers Elvis


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Danzig

During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish,graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metalsubject matter, but took the concept of darkness to an extreme. After the demise of Samhain, Danzig formed his owneponymous band with Samhain guitarist John Christ, ex-Rosemary's Babies drummer Eerie Von on bass, and longtime hardcoredrummer Chuck Biscuits (D.O.A., Black Flag, Circle Jerks); this band would prove a more effective vehicle for Danzig' ...read more

During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish,graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metalsubject matter, but took the concept of darkness to an extreme. After the demise of Samhain, Danzig formed his owneponymous band with Samhain guitarist John Christ, ex-Rosemary's Babies drummer Eerie Von on bass, and longtime hardcoredrummer Chuck Biscuits (D.O.A., Black Flag, Circle Jerks); this band would prove a more effective vehicle for Danzig'sobsession with the dark side. While that obsession can seem cartoonish at times, there is more to the band than meets theeye -- Danzig obviously relishes casting himself as the menacing, evil heavy metal frontman, and his theatricality often seemsto indicate that his posturing is not meant to be taken very seriously. At the same time, the darkness of Danzig's vision hasincreasingly expressed itself over the band's career in a heavily romanticized, brooding, gothic sensibility, more quietly sinisterand darkly seductive than obviously threatening or satanic, and the group's music progressed from simple, blues-based heavymetal riffs to more atmospheric, coldly haunting song textures that attempt to sonically replicate the feel of the lyrics.

Glenn Danzig cofounded the Misfits in Lodi, NJ, in 1977. When the hardcore band broke up in 1983, Danzig formed themetallic, brooding Samhain in order to experiment with different sounds, but that project imploded as well. The band Danzigwas put together in 1987, and quickly inked a deal with Rick Rubin's Def American label. Their self-titled debut found Danzigplaying the satanic metal singer role to the hilt, even if the band's songs sounded much the same. Danzig II: Lucifugefollowed in 1990, and it broadened the band's musical palette, expanding on the simple blues riffs of the debut with moreextensive forays into that style. Danzig III: How the Gods Kill marked a full-fledged entry into the realm of gothic romanticism,working to create moods rather than pounding heavy metal aggression; "Dirty Black Summer" and "How the Gods Kill" becamestaples on MTV's Headbanger's Ball.

Danzig next released a solo project, Black Aria, a quasi-operatic attempt at classical instrumentals depicting the fall of Satanfrom heaven. The band broke through into the mainstream in 1993, when a live video for "Mother," a song originally releasedon Danzig, became an inescapable smash on MTV and even charted as a single, nearly cracking the Billboard Top 40.Meanwhile, Danzig contributed a track entitled "Thirteen" to Johnny Cash's acclaimed 1994 effort American Recordings. Themore experimental Danzig 4 was released in 1994 and entered the charts at number 29, but its quiet, moody, atmosphericsubtlety didn't find as much favor with the band's new audience as the anthemic "Mother," while some longtime fansdismissed it as mellow and therefore commercial.

During the supporting tour, Chuck Biscuits left the band and was replaced by Joey Castillo. Following the tour, Danzig brokeup the band and formed a new version featuring ex-Prong guitarist/vocalist Tommy Victor, drummer Castillo, and bassist JoshLazie; this lineup released Blackacidevil on Halloween 1996. Blackacidevil was ignored by both the press and the public, fallingout of the charts after a mere three weeks. 6:66 Satan's Child followed in 1999; Live on the Black Hand Side appeared twoyears later. In 2002 and 2004 Danzig released the stripped-down I Luciferi and Circle of Snakes, both returns to form thatfound the artist emulating the simplistic brutality of his 1988 debut. Black Aria II arrived in fall of 2006. « hide

Similar Bands: The Cult, Misfits, Type O Negative, Ramones, Samhain

LPs
Deth Red Sabaoth
2010

3.5
134 Votes
Circle of Snakes
2004

3.1
104 Votes
7:77 - I Luciferi
2002

2.9
93 Votes
6:66 Satans Child
1999

3.2
99 Votes
Blackacidevil
1996

2.3
110 Votes
Danzig 4
1994

3.8
181 Votes
Danzig III: How The Gods Kill
1992

4.1
311 Votes
Danzig II: Lucifuge
1990

4.2
402 Votes
Danzig
1988

3.9
544 Votes
EPs
Thrall-Demonsweatlive
1993

3.3
61 Votes
Live Albums
Live on the Black Hand Side
2001

3.1
15 Votes
Compilations
Skeletons
2015

1.7
20 Votes
The Lost Tracks of Danzig
2007

3.7
39 Votes

Contributors: discovolante, arcane, rockandmetaljunkie, KILL, Mabbitt, Spec, xenocide., Metalstyles, Willie, HumanCannonball, tom79, Alex101, heavy metal kid, Angelboros, Voivod, drasticaction74,

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