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Call it space rock, call it art rock, call it progressive indie textural mamma jammas. Call it whateveryou want, but creating
beautiful,challenging, conceptual epics is something that appears to come easyto Boston, MA's Constants. After showing
unlimited potentialon their 2004 debut, "Nostalgia For TheFuture" and its follow-up, 2006's "The Murder of Tom Fitzgerril," the
band has now firmlyandundeniably come into their own on their latest opus. Following their recent split 7" with fellowBostonians
in Caspian, thecourageously ambitious three-part exercise in atmosphere and mood ondisplay ...read more
Call it space rock, call it art rock, call it progressive indie textural mamma jammas. Call it whateveryou want, but creating
beautiful,challenging, conceptual epics is something that appears to come easyto Boston, MA's Constants. After showing
unlimited potentialon their 2004 debut, "Nostalgia For TheFuture" and its follow-up, 2006's "The Murder of Tom Fitzgerril," the
band has now firmlyandundeniably come into their own on their latest opus. Following their recent split 7" with fellowBostonians
in Caspian, thecourageously ambitious three-part exercise in atmosphere and mood ondisplay within "The Foundation, The
Machine, TheAscension" is truly a haunting experience. It knowswhen to build, when to change, when to climax, when to
breathe and when tostop. This is an album ofsuch subtle extremes and tasteful intricacies that the further you delve into it's
many layers, the morelostyou become, and the more rewarded you will be. Not for the faint of heart, this is a music loversalbum
on every level. (Fromhttp://www.mylenesheath.com Artist Directory) « hide |
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