Mixing computer-generated crunches, pops and clicks with organic synthesizer tones and heavily processed sounds, Chris Clark creates tense andbrilliant electronica that struggles between a sense of natural wonder and exuberance and dark, foreboding undercurrents.Clark, who lived in Bristoland Brighton, UK before settling in Birmingham, debuted on Warp Records with the wintery Clarence Park, released in May of 2001.
