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Jalaluddin Mansur Nuriddin (born in 1944) is one of the founding members of The Last Poets, a group of poets and musicians that evolved in
the 1960s out of the Harlem Writers Workshop in New York City.
He was born in Fort Greene in Brooklyn, New York, USA. In his earlier career he used the names Lightnin' Rod and Alafia Pudim. He is often
dubbed "The Grandfather of Rap".
A devout Muslim, poet, acupuncturist, and martial art exponent (a practitioner of a form of Bak Mei), he was incarcerated and was given
early release on condition that he join the US Army, where he trained as a par ...read more
Jalaluddin Mansur Nuriddin (born in 1944) is one of the founding members of The Last Poets, a group of poets and musicians that evolved in
the 1960s out of the Harlem Writers Workshop in New York City.
He was born in Fort Greene in Brooklyn, New York, USA. In his earlier career he used the names Lightnin' Rod and Alafia Pudim. He is often
dubbed "The Grandfather of Rap".
A devout Muslim, poet, acupuncturist, and martial art exponent (a practitioner of a form of Bak Mei), he was incarcerated and was given
early release on condition that he join the US Army, where he trained as a paratrooper but was imprisoned again within the Army for refusing
to salute the Flag. He did, however, received an honourable discharge and went to work for a bank on Wall Street. It was his experience
there that spawned his poem "E-Pluribus Unum", from 1973's Chastisment. Jalal converted to Islam and learned to spiel, an early form of
rap, which he called "spoagraphics" or "spoken pictures". It was also known as toasting, which was a form of rhythmic spoken poetry
accompanied by ad hoc percussion by prison inmates, such as the famous Signified Monkey toast popularised by comedian Dolamite (not to
be confused with the "toast" of Jamaican DJs, which is more reggae than rap). Jalal's talent and genius with words and rhythm are renowned
and he has produced some epic poems such as "Be-Yon-Der", an 18-minute piece on The Last Poets album 1977 album Delights of the
Garden, which was released on Celluloid Records.
Jalal joined the first version of The Last Poets, with members Gylan Kain, David Nelson, and Felipe Luciano, but left before the trio recorded
and released their only album, Right On, in 1967, the soundtrack to a documentary movie of the same name. As he informed them of the
intention to form his own group called The Last Poets, the Right On album was released under the name The Original Last Poets.
Together with Umar Bin Hassan and the late Nilja, their percussionist, he released in 1969 the self-titled first album The Last Poets, followed
in 1970 by This Is Madness. At the time his name was still credited as Alafia Pudim, but he later changed it to the Islamic name (Jalaluddin –
The Glory of the Faith, Mansur – Victorious, Nuriddin – The Light of the Faith) by which he is known today. Jalal's fellow poet and friend the
late Suleiman El-Hadi replaced Nilja on the third album, Chastisement. and also recorded 1974's At Last (the only recording to include Jalal,
Umar, and Suleiman together). Altogether, there were six albums released by the Jalal / Suleiman "mach two" edition of the Poets,
culminating with 1993's Scatterap/Home. Later members included Kenyatte Abdur-Rahman, composer and vibraphonist on the album
Scatterap/Home, and Abu Mustafa.
"Lightnin' Rod" was the pseudonym of Alafia Pudim when he released his seminal 1973 Hustlers Convention LP, featuring tracks such as
"Sport" and "Spoon" and "Coppin' Some Fronts for the Set". The album release on United Artists featured Tina Turner and the Ikettes,
Bernard Purdie, Billy Preston, Cornell Dupree, and Kool and the Gang. Most of the lyrics deal with the way of living in ghettos, i.e. hustling,
drugs, gambling and money with the outcome being a shoot out with the cops followed by jail where the hustlers learn "The whole truth". A
sequel, The Hustlers Detention is purportedly in the pipeline with the final part being "The Hustlers Ascension".
In April 2008 he reunited and reconciled with fellow Last Poets Umar Bin Hassan and Abiodun Oyewole, along with David Nelson and Felipe
Luciano, all of whom appear in Made in Amerikkka, a documentary by French film-maker Claude Santiago.
Jalal did an album for Adrian Sherwood and The single "Mankind,Pt. 2", produced by Skip McDonald and released on Adrian Sherwood's label
On-U Sound, can be heard over the closing credits of the film 187, featuring Samuel L. Jackson.
Jalal and the Last Poets also had a cameo appearance in John Singleton's 1993 film Poetic Justice, starring Janet Jackson and Tupac Shakur.
in 2004 Jalal wrote the foreword to Malik Al Nasir's poetry collection Ordinary Guy, published under Malik's pre-Islamic name Mark T. Watson
in the UK by Fore-Word Press.[2] Jalal also featured in the documentary Word Up – From Ghetto to Mecca, along with poets Gil Scott Heron,
Mark T. Watson a.k.a. Malik Al Nasir, Rod Youngs (Gil Scott-Heron's Amnesia Express) and dub poet Benjamin Zephaniah, where he discussed
the significance of the spoken word as an extension of the African oral tradition, as well as the origins of rap and the work of his student and
friend Malik Al Nasir. In the film Jalal recites from Malik's book "Ordinary Guy" the poem he wrote as a foreword to the book called "Malik's
Mode". Jalal also later recoded Malik's Mode with Malik's band "Malik & the O.G's" for the album Rhythms of the Diaspora Vol. 2 at Mercredi 9
Studios in Paris while filming the Word Up documentary.
Jalal spent several years in Europe, mainly in Aix-en-Provence in the south of France and Paris, and also in Liverpool, Bristol, and London,
England. In 2009, he appeared live in New York, a return to the United States after more than twenty years. He now lives in Georgia, in the
US. He is currently working on his autobiography (written completely in rhyme).
Jalal returned to the UK in 2014 to perform live the seminal solo album Hustlers Convention, credited as being the first ever RAP album[3]
live at the Jazz Café in Camden Town, London. The event was produced by Fore-Word Press for Riverhorse Communications who are filming it
as part of a documentary on the forgotten roots of Rap. The executive producer in Public Enemy's front man Chuck D. The film Hustlers
Convention,[4] directed by Mike Todd, premiered at The Smithsonian in Washington DC in 2014, with its London premiere at the Institute Of
Contemporary Arts, on June 14, 2015. The Hustlers Convention Live features The Jazz Warriors International Collective, Malik & the O.G's and
poet Lemn Sissay. « hide |
Similar Bands: The Last Poets, Gil Scott-Heron, Langston Hughes Contributors: GodLovesUgly,
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