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Review Summary: These Young English Cardinals have turned homage into outright stalking. On their first two releases, one could not help but feel a little sorry for young English quintet We Are The Ocean. As impressive as the post-hardcore outfit were at effectively balancing aggression and melody, there was a nagging comparison which they simply could not escape from... Their sound was very similar to that of the already well-established band Alexisonfire. Call it admiration, adulation or adoration, the observation was clear and unavoidable. So when the Canadian veterans threw the world a curve-ball in 2009, by incorporating an element of hard-rock into their punky post-hardcore sound, it seemed the perfect opportunity for We Are The Ocean to shake the tag. So what do the youngsters go and do on their second LP 'Go Now and Live'? You guessed it... Stalk their heroes and make a similar stylistic change.
As was the case on 'Old Crows/Young Cardinals', when Alexisonfire's screamer George Pettit refined his vocals into a divisively raspy delivery, the chief talking point on 'Go Now and Live' will be the lack of screaming from Dan Brown. Like his Canadian counterpart, Brown has no instrument to fall back on when a song would otherwise benefit from his vocal disappearance. Here, that is most evident on two cuts which lie dangerously close to ballad territory. Both 'Runaway' & 'Now and Then' appear destined for radio airplay, except that Brown delivers a verse on each that is as misplaced as a teetotaller at an AA meeting. Elsewhere, there is a Southern Rock vibe evident, with the grittier songs (opener 'Trouble Is Temporary...', 'Overtime Is a Crime' & 'Godspeed') containing dirty, distorted riffs and urgent drumming. These are very much Brown's chances to shine, with vocal effects limiting the potency of his partner in crime Liam Cromby.
And what of the aforementioned English version of Dallas Green? Surely, one would expect that an album leaning more towards mainstream alt-rock would suit Cromby's superlative clean vocals. Well, when the songwriting allows the dual vocal dynamic to shine, Brown's gruff rasp actually serves to highlight Liam's silky smooth melodies. Unfortunately, that does not happen anywhere near enough, with lead single 'What It Feels Like', the catchy ‘Trials and Tribulations’, uplifting closer 'Before I Die' and second single 'The Waiting Room' being the best exponents. The latter, especially, is a highlight, with the two often trading line for line until Cromby understandably takes over come time for a soaring chorus. Even these standouts will have their detractors however, with the rather simplistic song structures leading to less intricate guitar lines and more general lyrical themes. Contradictorily, as big a risk as 'Go Now and Live' is, it ends up feeling just a little too safe.
While many had issues with Alexisonfire's most recent LP, it succeeded because the seasoned campaigners were as cohesive, passionate and energetic as ever. This led to some genuine "wow" moments, that We Are The Ocean fail to consistently deliver here. 'Go Now and Live' is by no means a bad album, since it is a solidly composed, straight-ahead rock release with some satisfyingly driving rhythms. The experience may even assist the growth of this talented band, rather than hamper it. Too often though, the songwriting feels incomplete... Frequently relying on Cromby's melodic vocals for a winning hook. Elongated outros litter the album, which is disappointing considering its meager 33 minute duration. Then again, maybe we should not be so surprised, since this LP arrives a mere 15 months after its predecessor. Hopefully, We Are The Ocean take a little more time in locating their true identity next time around... They can start by realizing that they are Young English Cardinals, not Old Canadian Crows.
Recommended Tracks: The Waiting Room, What It Feels Like & Before I Die.
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Album Rating: 3.5
I personally like this album more than the review & its rating suggests, but I can’t objectively go higher than a 3 since it is so flawed.
Oh, and when I said that some songs had a “Southern” Rock vibe, I meant Alabama, not (the RECENTLY PROMOTED) Southampton. Woohoo.
EDIT: I never thought that I would do this, but I can't help it. Personally, it's a 3.5... Leaving the review with a 3 rating though.
| | | Album Rating: 3.5
Unfortunately, since this is a bit more (dare I use a word I hate) "generic", I could probably list about 100 albums in the Reco by Reviewer section.
Cheers big ears.
| | | Album Rating: 3.5
Thanks Stokes. Thought I'd leave the "Old Crows" part out until the review's finale.
Let me just make it clear that I think these guys are supremely talented & have high hopes that they will one day put it all together to make a ripper of an album.
I love 'Save Me Said the Saviour'.
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a band that so clearly rips off their number one influence cannot be respected
| | | Album Rating: 3.5
I can still respect them cw... For now. They're still young, but they wouldn't want to keep doing this.
I was waiting for you to arrive andcas. Expected you to lay into me tbh.
I don't care if Liam sounds identical to Dallas... It's a f'n great voice, no matter who is delivering it. But does this album really make use of his talent? Maybe it will require a solo album for that to happen.
Stokes, if you sound anything like Liam, then get to laying something on record mate.
| | | Album Rating: 3.5
Stokes, you could be managed by SputnikMusic Inc.
I was expecting a higher rating from you andcas. You're not just following my lead to be cool, are you? ;-)
I was reading an interview with them where the resemblance was brought up & they answered it well, and part of that was saying they are an influence. Look, it's mostly Liam sounding like Dallas, but the change in style here adds the new Dan sounding like the new George too.
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Album's meh. Pretty boring.
What It Feels Like is catchy though.
| | | Album Rating: 3.5
Hehe. "At times?" I'd say a little more than that. LOL.
Well said re: this album. I do think they will actually reel in a few more fans from this album, so it won't be a total disaster... But the important thing is how they use what they have learnt come their next album.
Now that I think of it, this would have worked better had it been a 6 track EP.
| | | Album Rating: 3.5
Fish, I think there are actually 4 songs on here that are really catchy, but even they have things wrong with them.
I ended up rating their EP & debut LP the same. 'Cutting Our Teeth' did take a few listens to get into, but once I was hooked, I was really hooked good.
| | | Album Rating: 3.0
Never checked this band out, even though my mate loves them and they sound like something I'd dig. Think I'll have to have a goosey. Where should I start?
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They're a band who've always been in and around my playlists but they never really seem to hold my
attention for very long.
Perhaps cos I've seen them live 4 times (always supporting other bands, somehow) and the lead singer
was a bit of a tool. Their drummer seems cool, however.
Davey, inspired review I think its one of your best. I'll probably give this a shot.
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Harsh vocalist is an arsehole.
I enjoyed their older stuff, like the EP, but anything after that I don't really care for. Heard the waiting room and thought it was ok.
| | | Album Rating: 3.5
Yeah, that song on andcas' link is a great place to start for their earlier stuff Sanders. And if you can imagine that song without the screaming, that's basically what this album sounds like.
Thanks VC, I hope I have inspired a few people to check these guys out. And you know, you have a point re: this band. As much as I say I really like them, I have never rated anything of theirs over a 3.5. There has to be a reason for that, even though I can't put my finger on it. They're so close to taking that next step.
As for Dan being a tool/arsehole, I'm telling you, having a singer who can't play an instrument & sings less than 50% of the vocals is just a recipe for disaster. Grab a cowbell or something man.
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How's he an arsehole?
Reminds me of Sean Smith...
| | | Album Rating: 3.5
Ditto... I personally found Sean very entertaining having seen The Blackout live twice. I can see how he would rub people the wrong way, but he didn't have that effect on me.
We Are The Ocean are heading down under in September, so I'll try to catch them then.
For those who have seen them live, what are they like?
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This is good but nothing more, probably won't bother with them at Revo
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Superb review. Have practically no interest in this, really.
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Great review. I have no interest in this either but because it's a Daveyboy review I feel obliged to listen to this nonetheless.
| | | Album Rating: 3.5
Yep, I agree with that simple statement HBFS. 3 = good. I'd like to catch them at Revo, but it's gonna depend who they clash with.
Thanks Adam. They may remind you too much of The Blackout, so I'd stay away if I was you.
LOL Thomas. I think you have by now learnt to judge what you will & won't like off of my reviews.
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LOL Thomas. I think you have by now learnt to judge what you will & won't like off of my reviews.
Well I don't like most of the stuff you review but you were the man that showed me the light (aka ISSWS and The Family Jewels) so I feel that owe it to you to at least try them out.
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