For the most part I get a kick out of the classical-style midi-piano hypermania -- these laborious and noodling symphonies are sprightly and silly enough to charm if not outright oppress, and as a whole it manages to achieve a sense of grandeur while in the format of resolute goofball abstraction. Grows toilsome all too promptly as well tho, especially with the detached CPU-voices offering up social commentary via overt catchword. Lattes, smart-cars, Starbucks, Ikea, fay-tay-lities, yes yes this is like the consumerist world we live in, man. But cred for holding down the whole bold-n-visionary classical-madman thing.
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