| | Ratings (158) |
Give your Rating |
0.0 | emester | March 24th 16 | Rather than being in sync with one other to create a unique and exhilarating collaboration, FoH and The Body end up crafting a record that essentially feels like the two outfits are having their own distinct brands of abrasive noise battle on another, seeming unfocused and sloppy. However, I'd be wrong if I did not say the carnage going on is quite enthralling.
2 Bumps | Bump |
4.0 excellent | Alabaster Jones | March 29th 16 | "I need my anger, it's all I've got right now." Purveyors of sonic destruction Full Of Hell and doom deconstructionists The Body make a wonderfully violent and subtly saddening collaboration record sound like child's play. Because, due to the relative malleability of both the bands' styles and sounds, they fit very well nicely within each other. The bookends of the album illustrate this point excellently. The opener/title-track features blast beats aplenty, adding to a wall of noise which is accentuated by both Dylan Walker's and Chip King's hellish wails. It turns into a very emotional and heart-wrenching doom section, which is a defining moment for the record. The closer, "The Little Death", is the opposite of heart-wrenching, rather being ferocious and relentless in nature, evolving structurally similar to the opener. Of course, the middle of the album has many great moments too, and overall this is a very enjoyable and resonant collaboration.
1 Bumps | Bump |
3.2 good | Erwann S. STAFF | May 4th 22 | Expected a bit more from this tbh. It's pummeling violence, that's for sure - they don't know any other way of doing it tbf - but they didn't seem to know how to ~blend~ their respective propositions.
Bump |
3.5 great | Kazooicide | December 13th 17 | Not being a grind or pure noise kinda guy going into this, I braced myself for the pure chaos that was to come. But to my surprise, there were moments of beauty on this release, like "Fleshworks". And when it came to the chaos of the noise that I had previously not cared for, it grew on me.
Bump |
3.0 good | elliootsmeuth | March 30th 16 | chaos and unexpectedness is usually welcomed with open arms in extreme music, but this comes off as more of just noise experimentation. while that is all well and good, this just doesn't quite "click". it just isn't very cohesive. both of these bands are extremely talented within their respective genres, but this combination just doesn't seem to work. the hellishness throughout is captivating and disturbing in all the ways that it should be, but kind of goes in one ear and out the other.
Bump |
4.5 superb | iGuter | September 18th 22 |
4.0 excellent | Oobaloo | April 7th 22 |
3.5 great | xlev | December 13th 21 |
3.5 great | Lvxfra | October 24th 21 |
3.0 good | Emo | March 20th 21 |
3.5 great | remi | November 3rd 20 |
3.5 great | Inveigh | November 19th 19 |
4.0 excellent | ToddDC | July 14th 19 |
3.5 great | Dama | July 1st 19 |
3.0 good | Hawks | May 26th 19 |
4.0 excellent | Epilogue | September 14th 18 |
4.0 excellent | Jwalter | March 13th 18 |
4.0 excellent | SinNanna | November 25th 17 |
4.0 excellent | DRusso | November 15th 17 |
3.5 great | P0laris | September 5th 17 |
3.5 great | Alban | August 2nd 17 |
4.0 excellent | junyi15 | June 18th 17 |
4.0 excellent | ian b. | May 11th 17 |
1.5 very poor | Pon EMERITUS | April 23rd 17 |
4.5 superb | JS19 | December 22nd 16 |
5.0 classic | hsb | December 10th 16 |
4.0 excellent | Stormii | September 27th 16 |
2.0 poor | jmh886 | August 29th 16 |
3.0 good | Rail | May 15th 16 |
3.0 good | tgdv | April 26th 16 |
3.0 good | torts | April 11th 16 |
3.0 good | adr | April 1st 16 |
3.5 great | EJinHD | March 31st 16 |
4.0 excellent | Thor | March 31st 16 |
2.5 average | cvlts | March 30th 16 |
4.0 excellent | Henry | March 28th 16 |
3.0 good | Steev | March 25th 16 |
3.0 good | Jamdbz | March 25th 16 |
4.0 excellent | Wolfe | March 24th 16 |
4.0 excellent | Tom Read CONTRIBUTOR | March 24th 16 |
4.0 excellent | Prole | March 24th 16 |
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