Lana Del Rey Born to Die
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AsoTamaki
January 29th 2012



2525 Comments

Album Rating: 3.5

Whoa. andcas likes a pop album? No way. I guess this chick's classy image is really working.

andcas
January 29th 2012



59400 Comments

Album Rating: 3.5

yeah, fucking weird that I can like certain artists in a genre while not being fond of others huh?

Digging: Across Five Aprils - Tragedy in Progress

The7thVermicide
January 29th 2012



925 Comments

Album Rating: 2.5

When in saw The SNL performance I thought that this album will be a 2 ,it's not avesome but is has some catchy and memorable songs .

Geist
January 30th 2012



346 Comments


Aaaaaand pitchfork agrees with Downer.

http://pitchfork.com/reviews/albums/16223-lana-del-rey/

Digging: Queens of the Stone Age - ...Like Clockwork

fish.
Contributing Reviewer
January 30th 2012



16157 Comments

Album Rating: 3.5

watching the SNL performance. her jonathan ross performance is still worse

also fuck off daniel radcliffe

andcas
January 30th 2012



59400 Comments

Album Rating: 3.5

"also fuck off daniel radcliffe" woman in black looks good.



fish.
Contributing Reviewer
January 30th 2012



16157 Comments

Album Rating: 3.5

it doesn't. it looks like it's trying to tick all the boxes for the most clichéd and dull horror/thriller ever.

also he can't even act. at all

conradtao
Emeritus
January 30th 2012



2066 Comments

Album Rating: 3.5 | Sound Off

To give the film some credit, it's based off a play that folks I trust in West End say is legitimately scary, so it may turn out okay.

andcas
January 30th 2012



59400 Comments

Album Rating: 3.5

it's got a pretty good score on rotten tomatoes for critics who have seen it in advance.

fish.
Contributing Reviewer
January 30th 2012



16157 Comments

Album Rating: 3.5

Interesting... the clip they showed on Jonathan Ross seemed complete crap

MamboSun
April 27th 2012



2 Comments


Seems odd to chastise her for "setting feminism back" (as if every female needs to adhere to a feminist monolith), then go on to casually address "female pop music" as though it's outside of each's respective genre, and that women singing pop (regardless of the specific style) is a genre in itself. Also worth lamenting that you missed the clear cheekiness (and even social commentary) in her submissiveness... perhaps not ironic, but hardly earnest.

Still, kudos for not harping on her lack of "authenticity", as many reviewers do... as if "authenticity" is synonymous with earnest confession (surely there's a long history in literature and music to debunk that), and is if every great was "authentic" (Marc Bolan, David Bowie, Marlene Dietrich, Bob Dylan, etc...).

Overall, reasonably fair review... but I still disagree with it.



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