Album Rating: 4.0
Good review but I thought Neil Busch was kicked out of the band after Source Tags & Codes.
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Album Rating: 4.0
pitchfork gave this a 2/5
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Album Rating: 4.5
I guess pitchfork just didn't like this album...
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Album Rating: 3.5
its hard not to be let down after the monster that source tags was. this is still solid but doesn't feel as cohesive as source tags IMO
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Album Rating: 4.5
This one is there greatest album to date followed closely by follow up album So Divided. The rest can only bask in there greatness. Thats right peeps you all got it wrong with that one and theres no ifs or buts about it.
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Album Rating: 4.5
agreed, agreed. Something about those two albums just click with me.
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Where's the stream...
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Album Rating: 3.5
the live version of will you smile again is way better and more energetic than the album version
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Album Rating: 4.5
The only thing I don't like about this is the juvenile intro to the title track. I know it's supposed to be social commentary but I don't care. Everything else is golden.
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Album Rating: 1.0
I could never get into this album. I found the difference in quality between this and Source Tags one of the greatest gaps between any two albums among all the artists I know. To the point where I was very afraid to ever listen to anything from the band released after this... but I overcame my fears and gave Tao a spin, and it was decent, so I might investigate some of their other recent work.
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^Odd, I found this to be their best alongside Source Tags and Codes.
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That intro pattern in Will You Smile Again is what I'm talkin' about. Massive.
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Album Rating: 4.0
so glad i decided to revisit this band.
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Album Rating: 2.5
title track is pure cringe
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nah
edit: maybe idk - thought we were on Source Codes thread
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Album Rating: 2.5
it sucks
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Album Rating: 2.5
they almost redeem themselves with rest will follow through let it dive but then this thing ends with a whimper
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yeah nah i'll take ur word
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This is awesome. A lot of hilariously unsubtle Bush-era indie rock has aged so well to me
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Album Rating: 5.0
the title track, especially the first verse, is oddly still very very relevant today
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